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Monticello Road is a community arts project in Charlottesville, Virginia. Through photography and a series of public events and conversations, we explore how an art can be an essential, integral and everyday part of a healthy community.


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Wednesday, January 30, 2013

Monticello Road Extended: Ghost Road


Like an appendix, about a mile of historic Monticello Road still exists, cut off by the Interstate, isolated and now disused. An artifact from the past, it looks like it could have an exciting future. Check back soon for a full photo gallery.

Monticello Road was once a primary entrance to Charlottesville but it was truncated when Interstate 64 was built and replaced by nearby Monticello Avenue in the Sixties. What’s left is the quiet neighborhood street it is today.

I’ve always wondered what traces of the old Monticello Road exist on the other side of the Interstate, out into the country. I’ve crawled through culverts and fought through brambles but never found anything definitive.

A lucky break came when I called Chris Gensic, trails coordinator for Charlottesville for assistance with the cellphone audio tour [more on that soon]. He had an answer and was willing to show me. He also has a plan.

Old Monticello Road crossed Moore’s Creek at its present terminus (bridge abutments still visible), followed the creek for a short ways, then wound through the hills up to the current site of Michie Tavern (it was originally located in Earlysville) then joined VA-53, the current route up to Monticello. In between still exists about a mile of ghost road, completely abandoned and covered with leaves but largely intact. A kick in the leaves reveals a solid yellow line.

Along the way, the road passes through a spectacular successionary ecosystem, largely protected from human intrusion by its very cut-off state. So cut off, in fact, that major trespassing (or acquiring owners' permission as we did) is required to go there.

Interstate builders straightened and rerouted Moore’s Creek to its north flank and diked off an oxbow that is still filled with water and that hosts seasonal waterfowl. There’s a rich and varied understory with particularly abundant ironwood beneath a canopy of mature sycamores and oaks. Archeological traces abound. I can’t wait to revisit the place in the Spring.

If Chris gets his way, we will all get to go there soon. He has an ambitious but surprisingly feasible plan to reconnect with the historic right of way by bridging Moore’s Creek and boring a tunnel under I-64, sweeping the leaves off the old roadway and connecting with the Saunders-Monticello trail, yielding a family/tourist-friendly pathway all the way to Monticello.

This will be a boon for residents and visitors alike and will make available a real treasure for all. In the meantime, it’s a neat little tract: hidden and cut off from both place and time.

Edit to add (2/1):

This came from amazing archeologist/naturalist Devin Floyd, who accompanied the walk. So great to walk those woods with people who really knew what they were seeing:

"Peter, you might add spicebush and pawpaw to the understory species list you describe, as they were the dominant woody plants, and important indicators of ecosystem health. You might also add poplar and ash to the overstory descript., as they are the dominant species in the overstory.

The road does pass through a spectacular and varied display of forest succession. There are also remnant trees, echoes of fields and open spaces long ago abandoned (that's what those biggest trees represent).

Friday, January 4, 2013

Succession 2013


This picture, which depicts the historic traces of Monticello Road that extend into the country is part of both Monticello Road and Succession series.

I am exhibiting eighteen photographs from my Succession series at Milli Joe (Charlottesville) January 4-31, 2013. These pictures explore nearby human spaces that Nature has begun to reclaim.

There will be a opening kaffeeklatch from 10 a.m. to noon on Saturday, January 5, with a second one Tuesday, January 15 from 7:30 to 10 a.m.

Every artist has a second, secret, project and this is mine. If Monticello Road is about the human interconnections in a healthy community, Succession pokes around the poison ivy, cicadas and woodlots around the edges of the neighborhood.

Milli Joe is located at the corner of Preston and Ridge/McIntire in Charlottesville. Parking available next door. For more information please call 434-465-9869.



 

Saturday, December 1, 2012

Monticello Road Book = Holiday Gift Idea


Filled with familiar faces and places, the Monticello Road book is perhaps the fullest expression of what the project--and the neighborhood--are all about. And it's sharable!

This eighty-page, full color collection is a terrific gift, a great way to remember this place at this moment--or to tell other people about it. Consider it for your own home, or your out of town family or friends.

As with everything in this project, the book is available on a pay-what-you-can basis, starting at the production cost ($50) plus shipping (if applicable). People have generally chosen to spend $50-$75.

There are several signed copies in the McGuffey gift shop and in my studio. If you would like me to personalize it, gift wrap, drop off, or ship, just let me know.

Contact me for more info.

Tuesday, October 16, 2012

StoryLine at VA Film Fest


StoryLine was a three day Summer journey in which kids traced the route from Monticello to Main Street, culminating with a mural about the peolpe they met along the way.

Here's some exciting news: a short documentary about the StoryLine Project will be screened in-situ at the Free Expression Wall during Family Day at the 2012 Virginia Film Festival.

The November 3 program will begin at 6:00 p.m. with a brief presentation by Thomas Jefferson himself (actually a stand-in look-alike), followed by a Q&A and then the screening. It's free and open to the public.

The Free Expression Monument is located at the East end of Charlottesville's historic Downtown Mall. To learn more about StoryLine (whose theme this year was Monticello Road) please read the thread on this blog or visit the project's web site.

Tuesday, September 25, 2012

Preston Coiner Tribute this Sunday


Listen to 15 minutes of highlights from Preston's talk at our April Storytelling session.

Preston Coiner was a Belmont native, a Clark alum, a generous spirit and a masterful storyteller. He spun some yarns for us at the Monticello Road storytelling event this past April and we were fortunate enough to catch him on tape. We will hear some brief highlights of Preston from that afternoon and share many more recollections about the neighborhood at the Where I Live discussion this Sunday at C’ville Coffee.

Sponsored by the Historic Resources Committee and Celebrate 250, this event is a chance to listen, learn, and discuss the history of one of Charlottesville most interesting neighborhoods. What better way to celebrate this Belmont original than with an afternoon of storytelling?

See you there! Bring your stories, photos and curiosity.

Where I Live: Belmont will take place Sunday September 30 from 3-5 p.m. C’Ville Coffee is located at 1301 Harris Street, Charlottesville, VA.

Print Tributes:
Daily Progress Tribute
Charlottesville Then and Now
DTM
Obituary
Monticello Road Home Page

Wednesday, September 12, 2012

Where We Live: Belmont


Ficklin or "Bel Mont" Mansion, UVA Special Collections, c. 1970s. From Historic Resources Committee

Please stop by C’ville Coffee on Sunday, September 20 from 3-5 p.m. for some serious story sharing.

Where we Live—Stories from Yesterday and Today discussion series focuses on a different neighborhood every month and this month they’ve chosen Belmont.I'm sure there will be much talk about Monticello Road, Clark, and many familiar faces and places.

Come out and share your stories, reflections and recollections. Just like last time, we will be recording the stories for posterity.

Where We Live is presented by the Historic Resources Committee and Celebrate250.

Friday, August 24, 2012

Autumn Folklore Opportunities


Monticello Road has more than its share of history and colorful storytellers. This autumn, you'll be able to see/hear/join them.

Just as the photography phase of the project was wrapping up this summer, I heard from exactly the right person to help us move onto the next stage: oral histories.

Kristin Rourke is a public historian who is working with the City on several ventures related to oral histories and historic preservation. In a coup of divine grace her efforts this fall focus on Belmont and she has agreed to help with the oral histories and audio tour of Monticello Road.

I couldn't dream up a better collaborator. She is responsible for the very cool audio tour of downtown Charlottesville and is coordinating many of the City’s oral history efforts. She brings exactly the skills and resources we need.

This fall, we begin work on a nine-station cell-phone tour of Monticello Road. We’ll hear from and about many of the people and places we’ve met throughout the project and the signpost kiosks will give the project a real and lasting legacy in the community. More about that soon.

In the meantime, there are a few ways you can jump right in and take part in the neighborhood storysharing.

The Where I Live… Stories from Yesterday and Today series invites neighborhood residents and the greater Charlottesville community to gather together and talk about where they live. The September 30 session focuses on Belmont and will be a chance to share and hear stories about the Belmont of yesteryear and today. That’s Sunday September 30 3-5 p.m. at Cville Coffee.

This year, Preservation Piedmont’s Fall Tour will focus on Belmont and the story it tells about working communities in Charlottesville. The event takes place on Saturday, October 13, from 11:00 to 12:30, with a guided walking tour of Western Belmont, led by Kristin and landscape architect Laura Knott. The tour will be a discussion of the history of the Frank Ix and Sons textile factory and the houses throughout Belmont that the company built for its employees, as well as an inside tour of one of these houses.

On Sunday, October 14, from 2-5, Preservation Piedmont will host the Open House Tour, which will feature a variety of homes, structures, and sites in and around Downtown Belmont. The recommended route begins on the grounds of the Ficklin/Belmont Mansion at 759 Belmont Avenue.

As we move into our next phase, keep checking in to learn more about the exciting autumn of neighborhood history and folklore. For more information about Charlottesville's historic celebrations, please visit www.charlottesville.org/historicresources or call (434) 970-3333. You can also read more about future discussions at http://celebrate250.com/

Tuesday, July 31, 2012

C-ville Kickstarter Interview


Among many other things, the Kickstarter campaign funded the Faces of Monticello Road, a community slideshow that ran for a week in July.


On Tuesday, July 31, the C-Ville Weekly ran a story by Katy Nelson about Kickstarter with several references to and quotes about Monticello Road, which had a successful Kickstarter campaign. Monticello Road is a great example not only because it used crowdsourcing to raise funds but because it is for and about the community as well. It is a tool that’s well suited to aid the project’s mission.

It was a short piece that touched on many things. I wanted to focus on the aspects that relate to art’s role in the community, so for greater depth, here is the full text of our conversation.

Nelson: Can you tell me about how you used Kickstarter to fund Monticello Road?

Krebs: Everything about my project is about removing barriers between people and there can at times be an invisible wall keeping too many people away from the arts. So if the project was to succeed in the way I wanted, it was important to make the art itself completely accessible to everyone--far beyond the usual suspects who go to openings. I wanted the art to be incredibly affordable. And so it was: everything was either free or pay-what-you-can. Yet, it all cost money--alot--so I wanted to find a way to fundraise that was completely optional (and mostly invisible) and that would allow people with little means to make small contributions and have it be really meaningful.

Kickstarter made a lot of sense because it's focused primarily on social networks (as is my project so there's a natural overlap) but it's not geographically limited as a donation box would be for example. The whole thing is about community and this allowed really wide participation and everyone to feel like their contribution (no matter how small) would be essential. And that turned out to be the case--we made our initial goal by just $6. As I see it, communities are interconnected webs of interaction and sharing. This created another layer, which was great.

The other thing that's good about Kickstarter is that the user controls the schedule (as opposed to grants which have their own cycle which can be very, very long) and there are no strings attached except those that I determine with my community, the contributors. So in my case, the campaign coincided with the show at the Bridge and the goal was to raise all the funds required for the exhibition, the many associated events, plus production costs for the free and subsidized stuff I gave away.

In the end, not all my backers wanted to participate in kickstarter but they wanted to donate so I got a second and unexpected wave of private donations afterward and those paid for the exhibit and public slideshow at the Local and a little seed money for the next project.

Nelson: Before crowd funding, how did you and other local artists finance your art exhibits? Has Kickstarter made it easier to find funding?

Krebs: Artists depended mostly on sales. By taking the whole selling business out of the equation work can be more mission- (as opposed to acquisition-) oriented. It provides a new channel for funding but it's one of many ways and I only used it because it made sense--not because it's better than any other.

Nelson: Were a lot of your backers people that you knew personally? Or were they simply people who discovered your project online?

Krebs: The vast, vast majority were people I already knew. The onus is on the person with the project to recruit funders and it requires a very concerted effort to reach an ambitious goal. Still there were a few pledges that came came through kickstarter, which was neat, but it's more about mobilizing your existing network than growing it. Because it's about your network, the donations will reflect the geographic distribution of your circle of friends.

Nelson: Do you know a lot of local artists who are using Kickstarter?

Krebs: Yes, I know a few and I've made some donations. Because it's connected to social media though, I've also discovered a bunch of my old friends who live far away are up to cool things and I've donated to them too.

Nelson: A lot of people have called Kickstarter a sort of social movement--a way to democratize the art world. Do you agree? Or do you see it simply as a convenience?

Krebs: Yes, I think that's true--especially because it's so quick and easy to make a small contribution. We have to be realistic, though, when we talk about democratization. The digital divide is very real and I think it coincides with the Art World barriers. This doesn't touch that at all--it might make it worse.

Nelson: Most importantly: How do you think Kickstarter is changing the arts community in Charlottesville?

Krebs: Yes--I think it does in several ways.

First, it creates a more participatory model of art where the community (even if it's virtual) has an ownership stake in the art.

Second, it allows people to become patrons of the arts with very small contributions. Patronage is influence and I think it will broaden artists' ideas about who is in their audience--and I think that's a very good thing. I really believe that the best thing for the arts is a larger overall pie, meaning more people involved and invested.

Third, it will be an incentive to do art that is project-based. A campaign that says "buy my art because it's great" will not work. It needs to DO something. That's a mixed blessing.

Because it's not limited by geography, artists will be able to reach outside of the local area for support within a broader non-physical community, which creates interesting possibilities.

Finally, it allows artists direct access to funding and gives them a new business model.

It gives artists alot to think about!

Monday, July 16, 2012

Summer on Monticello Road


The StoryLine kids visited many of our favorite neighbors, including Virginia Industries for the Blind.

We had a very full Spring on Monticello Road but we’re also having a fun summer.

Story Line
Last week, we had an amazing week with the kids of the Story|Line project. We spent a morning at Monticello; then the next day we visited Lazy Daisy, Virginia Industries for the Blind and had lunch at Mas. After a Wednesday clinic at the Bridge we brought all their experiences to fruition on the Free Expression Wall. This was the best year for Story|Line and we are deeply grateful to everyone who helped make it happen.

Learn more | Pictures

Photos at the Local
The photography exhibition has moved to its summer quarters at the Local. Twenty photos, including ten that have never been exhibited before, adorn the walls of one of our favorite restaurants. Stop by and check them out. The exhibition will remain on view through July. [More]

Community Slide Show
This coming Sunday and Monday nights (July 22-23), there will be a slide show in the storefront window next to the Local (the Beauty Shop). It will be a rotating display of about two hundred images, the faces of Monticello Road. Projected from the inside, it will fill the storefront window and be visible from the street. [Preview]

Rewards on the Way
I have received a shipment of books and if you pledged and have not received your copy (or your print) I thank you for your patience and please know that it is on its way. If you do not have one or would like to obtain, please email me (peter-at-culturecurrent{dot}com) and I’ll get it to you. Thanks to our generous backers, subsidies are available for those in need.

Thank You is always a good way to end an email or a conversation. I am deeply grateful for all your help (so far) and I am honored to be your friend and neighbor.

See you soon!

Wednesday, July 11, 2012

Story|Line comes to Monticello Road


We met some old friends along the road from Monticello, including one that was very old indeed.

It's as if two of my favorite people just got married.

Obviously, by now you've heard all about my Monticello Road project, which uses photography to celebrate the people and place along one of America's most interesting streets.

For several years, I've also been fortunate to be involved with Story|Line, an innovative multi-partner program wherein 30 kids (ages 10-13) from the Parks and Recreation summer camp take a series of urban hikes and then make a mural about it. Story|Line uses art in much the same way as my own project--to build connections to place.

Last year's trip was all about waterways and two years ago it was change and transformation. This year, the kids visted Monticello Road and it is literally the case that the two programs fit together like hand and glove. Indeed, as I was dreaming up Monticello Road, I had Story|Line very much in mind.

On Monday, kids visited Monticello itself and hiked down the mountain along the magnificent Sauders-Monticello Trail. On Tuesday, they met some of our favorite characters along Monticello Road, including Sonny and Novella at Lazy Daisy Ceramics, Virginia Industries for the Blind, and Tomas at Mas Tapas. On Wednesday, they refined their drawing skills at the Bridge PAI in preparation for Thursday's big activity: a mural on the Free Expression Wall.

Story|Line is an amazing experience and I'm grateful to be a part of it for the third time. It's a terrific group of kids, very motivated and insightful and totally inspiring. I always feel like I'm getting back so much more than I'm putting in.

It's been extra-special this time to walk with these fabulous kids along the road from its germination to its terminus and to introduce them to friends and neighbors along the way. Their presence, their questions and their drawings lift us all up.


Story|line is a collaboration between the Piedmont Council of the Arts, the Bridge, Charlottesville Parks and Recreation, the Thomas Jefferson Center for the Protection of Free Expression, Siteworks Studio and many, many volunteers.

Tuesday, July 3, 2012

Monticello Road at the Local


Jeff and Travis work across the street from the Local, at the heart of Monticello Road.
 

The pictures of Monticello Road are back on view, this time at the Local.

Twenty images, including ten never displayed before adorn the walls of a restaurant that is at the geographic and community heart of Monticello Road.

There will be an accompanying public art display outside. The People of Monticello Road slideshow will project on the storefront window of the neighboring building, a former beauty shop, and visible from the street. Preview highlights from the slideshow here.

The slideshow will be on display Monday July 23 from 7:30-11:00 to coincide with Local Singer/Songwriter night. The exhibition runs through the month of July.

Four photos will also be on display at McGuffey Art Center through Sunday August 19. Opening reception Friday, July 6. Copies of the 80-page project catalog are available at the gift shop there.


The Local is located at 824 Hinton Avenue, Charlottesville, VA. They are open for dinner seven days a week, until 10:00 p.m. Su, Tu, We, Th; 11 p.m. Fr, Sa, Mo. Telephone 434.984.9749.

McGuffey Art Center is located at 201 Second Street NW, open Tues-Sat 10-6, Sun 1-5.

For more information about the Monticello Road, visit www.monticelloroad.com; email peter@culturecurrent.com or call 434.465.9869.

Sunday, June 3, 2012

We're not alone

I received an unexpected email the other day. Hannah Minzloff is a Nova Scotia-based photographer  doing a project about a small section of a historic road,where she's newly transplanted.

It was a bit shocking to know that someone else is doing something so similar to what seemed like a pretty unique effort, but I shouldn’t really be surprised. Monticello Road was a response to a big need that exists in the Art World for art that is relevant to communities and a yearning in neighborhoods for the social benefits that artists are uniquely able to deliver. This is all over the world, not just me or in Charlottesville.

There’s nothing more encouraging than to look to either side and see fellows toiling alongside. I’m glad to know that I’m on to something important and its good to see others carrying the effort forward.

Here’s what she wrote:
Congratulations on succeeding with the fundraising for your wonderful project Peter. It has been amazing to hear about what you have accomplished in such a short time.


In a good way, hairs prickled on the back of my neck when I stumbled upon the Monticello Road project on Kickstarter (I was doing some research into crowdfunding) a couple of months ago. By wild coincidence I am also working on a photo-based community project along a short stretch of road in what is a relatively new community for me, in Dartmouth Nova Scotia on the east coast of Canada. As I read your description of Monticello Road, it felt like I was seeing my own words pouring out onto the page.


I'd like to share with you what I have been working on over the last 18 months. Portraits on Portland documents a neighbourhood in transition, celebrating the people and places along a 5-block strip of the Old Dartmouth section of Portland Street, Nova Scotia's first incorporated town. The exhibition will be presented as a series of large prints along with projections of historical images at a local gallery this September. A wall of the gallery will be given over to the community to post their thoughts, drawings etc of what then envision for the future of the area, and a number of stores on Portland will actively take part in the show by hosting their own displays of pictures and artifacts. I have been using a digital recorder to collect people's stories about the area but haven't quite decided how to present those during the exhibition. You can see a selection of the portraits and read more on the website: Portraits on Portland.


The way you reached out to engage the community through panel discussions and storytelling has inspired me to set up a panel discussion on revitalizing downtowns, and if I may I'd like to borrow your rocking chair storytelling afternoon idea.


After much research – can you believe it there are no crowdfunding organizations in Canada!– I decided to give crowdfunding a try by setting up a website and a PayPal account. I've almost reached my goal which is a real testament to the local community.


I wonder if there is an opportunity for an exhibition exchange here or for these works to intersect in some way?


thank you for the inspiration,


Hannah
All throughout this project, I have received constant voices of confidence from all quarters: sponsors, fellow artists, media, and the neighborhood itself. It’s rare in any life, including that of an artist, to be told with certainty that you are doing the right thing.

As we think about what makes us each successful and what makes a healthy community, that validation is a key ingredient. Let’s all do it for one another and do it often.

Monday, May 14, 2012

What's Next

 
Special thanks to Lulu Miller whose recordings of the Story Sharing could be the basis of the project's coolest piece, which is yet to come. 

The Monticello Road exhibition and all the events around it certainly felt like an accomplishment, but it’s important to remember that the project isn’t done yet. While it will never really be over, we do have a few specific pieces lined up for the near future.

First I’m going to huddle with Lulu to figure out what to do with the amazing audio she captured at the storytelling session. We’ll make it available to the world somehow—either as archived audio or perhaps transcripts.

The oral histories are perhaps the most exciting part of the project with the most potential. My ultimate scheme is to create a walking tour along Monticello Road with kiosks or signs along the way with links to historical or atmospheric audio available to anyone with a cell phone. We could connect with the existing downtown audio tour and perhaps the visitor’s bureau.

There will be another photo booth at Moore’s Creek Family Restaurant, and hopefully there will be an audio component to that. The only thing about the exhibition that wasn’t perfect was that no one from Moore’s Creek made it to the story sharing. As you know by now, I’m not easily discouraged and I know we’ll get it.

In July, the exhibition will travel to its summer quarters at the Local. More details on that soon, but the most exciting piece will be a neighborhood slide show on select nights that will be visible to passers by.

Soon we will begin work on the next “road” project. Sorry, but the subject matter is still secret for now.

Keep checking back for more details!

Sunday, May 6, 2012

Fundraising Successful

We set an ambitious goal and there were some doubters. I have to admit that in my fearful moments I was among them. But we did it! We eclipsed our $4000 target by a nose. It was a total team effort with contributions from many, many generous supporters.

Monticello Road is not finished yet. There will be more projects in the neighborhood and we'll have information about those soon.

For now, huge thanks to all of you!

Friday, April 27, 2012

The Book


An eighty page catalog accompanies the exhibition. The book is hard-bound, 10"x 8", and includes more than 150 full-color photos of the people and places of Monticello Road. It's like a yearbook for the community. Leaf through it with the above widget.

While it's possible to buy the book from Blurb, it's available as a premium on the Kickstarter campaign and it's much better (and cheaper) to get it that way. I can order them in bulk, pay shipping just once, and (most importantly) leverage the campaign for grant money to fund the next project.

The book is a beautiful, lasting record of a fascinating neighborhood and the people that make it so special.

Thursday, April 26, 2012

What we’ve accomplished...so far!

Asking my neighbors for help was the best thing I did. The opportunity to help one another turns out to be a gift in itself.

I set out to find an integrated role for an artist in a healthy community and I did so with very modest expectations that were simply blown away. I am amazed at what we have done as a community and what the project became. It succeeded far beyond my expectations.

Here are some of the things we accomplished together:
  • We got to know our neighbors. Strangers became familiar; familiar faces acquaintances; and acquaintances became friends.
  • Significantly many people who had never been to a gallery or seen themselves as participants in the arts came to the Bridge and did so again and again. This is a profound accomplishment.
  • We captured a library with thousands of images of people and places, creating a lasting record of a neighborhood in transition.
  • The community rallied around an exhibition of those familiar faces. An eighty page catalog preserves and expands on it like a community yearbook.
  • We gave away hundreds of prints from that library and thousands of postcards that now adorn fridges, window sills and cubicle walls.
  • We created this blog, with profiles celebrating the many of the wonderful people among us.
  • Preston and I staged four guerilla photo booths that engaged passers-by, with more to come.
  • We had a packed opening reception with locally donated beer, BBQ, nibbles and—most popularly—Spudnuts.
  • Speaking of Spudnuts, we screened a documentary that should be required viewing for all residents and we did it in a doughnut shop.
  • We toured an active and historic factory for the blind that plays a vital role in the community, yet is essentially hidden at the center of the neighborhood.
  • We convened a gathering of top community planners and learned much from them—and hopefully they learned a few things from the artists and residents in the room.
  • Three elementary school groups visited the show, with walking-tours past many of the sites where the images were captured.
  • An afternoon of rocking-chair storytelling brought long-timers and newer residents together to share reminiscences of how things were and how they have changed. Lulu recorded these oral histories so we can make them available to all.
  • A gathering of artists regrouped at the end of the exhibition to talk about our experiences and share new ways to animate our communities.
  • We attracted outrageously much media attention—more than I could keep track of. They were interested because positive stories about neighbors coming together inspire their listeners, viewers and readers.
  • We nudged several sidelined artists back into the game. I won’t name them publicly but that’s one of the bits of which I’m most proud.
  • You all inspired me and gave my own career quite a jolt.
  • Update (5/6): We had a very successful kickstarter campaign, receiving 65 contributions totaling $4,000. Perhaps more impressive than the financial amount, which exceeded most expectations, was the incredible moral support from the community and huge social-media response (165 Facebook likes).
Just reading this list is exhausting but as the exhibition draws to a close I feel exhilarated—the opposite of the usual let-down feeling. As I look toward the next project (still secret!), I know that this one is not over and never will be.

Specifically:
  • We will make available the oral histories as transcribed text and/or audio files on the web. 
  • We plan to create an audio itinerary, similar to what you find in museums. More on that soon.
  • We will make available the highlights of the image archive. Many of them are already here.
  • We will keep taking pictures, sharing our gifts with one another and keep getting to know our neighbors even better.
In the meantime, I say a big, hearty thank you to the many who have supported Monticello Road in so many ways. I could not be happier to share a community with you and to be your neighbor.

Backers

This project could not have happened many people's contributions of time, expertise and money. It's a very real display of what a community can accomplish together. There are so many to thank, I am bound to forget some, but I'll give it a shot.

Host Venue and Chief Sponsor
The Bridge Progressive Arts Initiative

Promotional and Professional Support
AiA Architecture Week
City of Charlottesville Historic Resources Committee
Piedmont Council for the Arts
Virginia Industries for the Blind

Intern
Preston P Jackson

Advisory Group
Greg Antrim Kelly
Aaron Eichorst
Maggie Guggenheimer
Sarah Lawson
Jon Lohman
Ross McDermott
Lulu Miller
Pete O'Shea
Dan Zimmerman

Technical Assistance
Meredith Cole
Rob Douglas
Lulu Miller
Kristin Rourke

Panelists and Guest Speakers
Fanella Belle
Rosie Breeden
Preston Coyner
Maurice Cox
Mark Edwards
Aaron Eichorst
Kathy Galvin
Allison Hirsch
Lance Hosey
Greg Kelly
Sonny Mawyer
Mary Michaud
Pete O'Shea
John Trippel

Financial Contributors

Neighborly Hollers
Joanna Boone
Dr. Evelyn Edson

Neighborly Hellos
Elaine and Reid Bailey
Tomas Rahal

Double Waves
Pamela Cederquist
Clay Fitness
Christina Latouf
Wendy Philleo and Tim House
Dan Walsh

Neighborly Waves
Alloy Workshop
Douglas Bade
Elise Burroughs and Eric Cole
Mark Edwards and Mary Michaud
Jen Dalton and Wellington Fan
Rob Douglas
Aaron Eichorst
Randall Harris
Amy Hill
Jen Hochrein
Michaux Hood
Paul Johnson
Sarah Lawson
Guian McKee
The Munros
Pete O'Shea and Sara Wilson
Liz Robbins
Margo Smith
Pierre Verdier
Marla Ziegler

Winks
Renee Balfour
Meg Crook
Eileen French
Jackie Fugere
Maggie Guggenheimer
Amelia H
Chloe Hawkins
Bill and Renate Hinkley
Jonathan Krebs and Genevieve Diamond
David Marshall
Dr. Barbara Watkinson
Brian Wimer

Smiles
Greg Antrim Kelly
Christina Ball
Joel Bass
Fenella Belle
Paul Beyer
Daph
Sigrid Eilertson
Jennifer Elmore
Stacey Evans
Whitney French
Julia Hauser
Madeleine Hawkes
Billy Hunt
Jason
Anki King
Bree Luck
Lindsey Mears
Lizzy Miles
Hannah Minzloff
Laura Parsons
Andrea Pitzer and Dan Vergano
Suzy Q
Andrea Retzky
Ross
Joe Swift
Holly Tidmore
John and Melissa Wales
James Wilamor

In-Kind Contributions
A Pimento
Beer Run
Belmont Barbeque
Crutchfield Corporation
The Farm

La Taza
The Local
Love Canon
Mas Tapas

Spudnuts

Most Especially

Thank you to my family and the wonderful people of Monticello Road.

 Update: Although the KickStarter campaign has come to a successful close, it is still possible to make financial contributions--and people are doing so on a regular basis, which is great. Contact us to arrange a private contribution.

Tuesday, April 24, 2012

Media Attention

Rachel Ryan from NewsPlex stopped by the Spudnuts Photo Booth.

We've received some really wonderful attention from the local media. The reason is really quite simple.

This is a project that brings folks together and that is what people need right now. This stuff is not about me--it is about the community, what we can do and what we can all be when we celebrate each other as we should.

Here are some highlights so far:

'Monticello Road' exhibit explores neighborhood
(Charlottesville Daily Progress)

The Spark (WMRA--audio)

The Artist's Role (WVTF--audio)

Newsplex  (ABC/CBS/Fox): Photo Booth
Newsplex: Covered Opening
Newsplex: Storysharing

NBC29:Preview
NBC29: Covered Opening
NBC29: Previewed Planning Panel
NBC29: Previewed Story Sharing
NBC29: Storyline Project Draws on Freedom of Speech Wall

Charlottesville Tomorrow: Community Planning Discussion

Artist Talk at the Bridge PAI (Piedmont Council for the Arts Blog)
Story Sharing at the Bridge (Piedmont Council for the Arts Blog)
Monticello Road Project Draws to a Close (Piedmont Council for the Arts Blog)

The StoryLine Project Fosters Creative Connections (C-ville Weekly)

Does crowdfunding site Kickstarter's model hold up? (C-ville Weekly) [Full Interview]

iCreate (Earless Rabbit): Cool short documentary


Forthcoming:

Earless Rabbit documentary

Whew!! It's almost more than I can keep track of.

Monday, April 23, 2012

Discussion: the Artist's Role in a Community


John Trippel is one of several artists who will add his perspectives to the round-room discussion that will double as my artist's talk.

My Monticello Road community series concludes this Thursday from 7-9 pm with an informal artists’ discussion at the Bridge Progressive Arts Initiative.

I undertook this project in an effort to discover how an artist can be an active contributor to the daily life of a healthy community and be a known entity the way a butcher, baker, or mechanic is. It turns out that artists can do a lot and their unique contributions are both welcome and needed. I will discuss that process of discovery and some of the lessons I have learned.

But mine is not the only way. Charlottesville is full of artists working directly in communities in a variety of capacities and I’ve invited a few of my colleagues to add their perspectives to the discussion.

Key invitees include:
Please come and bring your own views. All are welcome to join this wide-ranging round-room discussion. Your perspectives will be welcome.

All Monticello Road events are free and open to the public. The Bridge is located at 209 Monticello Road, Charlottesville, VA 22902. [map | donate]

Monticello Road is a month-long celebration through photography and community events at the Bridge Progressive Arts Initiative. The exhibition runs through April 27. For a full schedule and more information, please visit www.monticelloroad.com

Wednesday, April 18, 2012

Story Sharing and Oral Histories Event

The Bridge becomes the neighborhood's front porch this Sunday. Bring your own rocking chair.

On Sunday, April 22, from 1-4 pm, the Bridge PAI is hosting an afternoon of story sharing and oral histories. As part of my Monticello Road project, we've invited a colorful group of neighborhood characters and long-timers to recount stories and spin yarns.

People with interesting stories will gravitate there but here are a few of the people who are definitely coming:
  • My neighbor Rosie who has lived on the street for 50+ years

  • Sonny, proprietor of Lazy Daisy and long-time resident/stakeholder
  • "Doc" Frazier, race car driver and master-spinner of tall-tales
  • Peggy, long-timer at the Blind Shops, whose grandmother lived on the road
It's not only for people who have lived here (or anywhere) for a long time: anyone with interesting perspectives, or who wants to hear them, is welcome.

It will be an after-church-style pot-luck so please feel free to bring banana bread, and other sharable nibbles.

All Monticello Road events are free and open to the public. The Bridge is located at 209 Monticello Road, Charlottesville, VA 22902. [map | donate]

Monticello Road is a month-long celebration through photography and community events at the Bridge Progressive Arts Initiative. The exhibition runs through April 27. For a full schedule and more information, please visit www.monticelloroad.com.