Backers

This project could not have happened many people's contributions of time, expertise and money. It's a very real display of what a community can accomplish together. There are so many to thank, I am bound to forget some, but I'll give it a shot.

Host Venue and Chief Sponsor
The Bridge Progressive Arts Initiative

Promotional and Professional Support
AiA Architecture Week
City of Charlottesville Historic Resources Committee
Piedmont Council for the Arts
Virginia Industries for the Blind

Intern
Preston P Jackson

Advisory Group
Greg Antrim Kelly
Aaron Eichorst
Maggie Guggenheimer
Sarah Lawson
Jon Lohman
Ross McDermott
Lulu Miller
Pete O'Shea
Dan Zimmerman

Technical Assistance
Meredith Cole
Rob Douglas
Lulu Miller
Kristin Rourke

Panelists and Guest Speakers
Fanella Belle
Rosie Breeden
Preston Coyner
Maurice Cox
Mark Edwards
Aaron Eichorst
Kathy Galvin
Allison Hirsch
Lance Hosey
Greg Kelly
Sonny Mawyer
Mary Michaud
Pete O'Shea
John Trippel

Financial Contributors

Neighborly Hollers
Joanna Boone
Dr. Evelyn Edson

Neighborly Hellos
Elaine and Reid Bailey
Tomas Rahal

Double Waves
Pamela Cederquist
Clay Fitness
Christina Latouf
Wendy Philleo and Tim House
Dan Walsh

Neighborly Waves
Alloy Workshop
Douglas Bade
Elise Burroughs and Eric Cole
Mark Edwards and Mary Michaud
Jen Dalton and Wellington Fan
Rob Douglas
Aaron Eichorst
Randall Harris
Amy Hill
Jen Hochrein
Michaux Hood
Paul Johnson
Sarah Lawson
Guian McKee
The Munros
Pete O'Shea and Sara Wilson
Liz Robbins
Margo Smith
Pierre Verdier
Marla Ziegler

Winks
Renee Balfour
Meg Crook
Eileen French
Jackie Fugere
Maggie Guggenheimer
Amelia H
Chloe Hawkins
Bill and Renate Hinkley
Jonathan Krebs and Genevieve Diamond
David Marshall
Dr. Barbara Watkinson
Brian Wimer

Smiles
Greg Antrim Kelly
Christina Ball
Joel Bass
Fenella Belle
Paul Beyer
Daph
Sigrid Eilertson
Jennifer Elmore
Stacey Evans
Whitney French
Julia Hauser
Madeleine Hawkes
Billy Hunt
Jason
Anki King
Bree Luck
Lindsey Mears
Lizzy Miles
Hannah Minzloff
Laura Parsons
Andrea Pitzer and Dan Vergano
Suzy Q
Andrea Retzky
Ross
Joe Swift
Holly Tidmore
John and Melissa Wales
James Wilamor

In-Kind Contributions
A Pimento
Beer Run
Belmont Barbeque
Crutchfield Corporation
The Farm
La Taza
The Local
Love Canon
Mas Tapas
Spudnuts

Most Especially
Thank you to my family and the wonderful people of Monticello Road.

 Update: Although the KickStarter campaign has come to a successful close, it is still possible to make financial contributions--and people are doing so on a regular basis, which is great. Contact us to arrange a private contribution.

Media Attention

Rachel Ryan from NewsPlex stopped by the Spudnuts Photo Booth.

We've received some really wonderful attention from the local media. The reason is really quite simple.

This is a project that brings folks together and that is what people need right now. This stuff is not about me--it is about the community, what we can do and what we can all be when we celebrate each other as we should.

Here are some highlights so far:

'Monticello Road' exhibit explores neighborhood

(Charlottesville Daily Progress)

The Spark (WMRA--audio)

The Artist's Role (WVTF--audio)

Newsplex  (ABC/CBS/Fox): Photo Booth
Newsplex: Covered Opening
Newsplex: Storysharing

NBC29:Preview
NBC29: Covered Opening
NBC29: Previewed Planning Panel
NBC29: Previewed Story Sharing
NBC29: Storyline Project Draws on Freedom of Speech Wall

Charlottesville Tomorrow: Community Planning Discussion

Artist Talk at the Bridge PAI (Piedmont Council for the Arts Blog)
Story Sharing at the Bridge (Piedmont Council for the Arts Blog)
Monticello Road Project Draws to a Close (Piedmont Council for the Arts Blog)

The StoryLine Project Fosters Creative Connections (C-ville Weekly)

Does crowdfunding site Kickstarter's model hold up? (C-ville Weekly) [Full Interview]

iCreate (Earless Rabbit): Cool short documentary


Forthcoming:

Earless Rabbit documentary

Whew!! It's almost more than I can keep track of.

Discussion: the Artist's Role in a Community

John Trippel is one of several artists who will add his perspectives to the round-room discussion that will double as my artist's talk.

My Monticello Road community series concludes this Thursday from 7-9 pm with an informal artists’ discussion at the Bridge Progressive Arts Initiative.

I undertook this project in an effort to discover how an artist can be an active contributor to the daily life of a healthy community and be a known entity the way a butcher, baker, or mechanic is. It turns out that artists can do a lot and their unique contributions are both welcome and needed. I will discuss that process of discovery and some of the lessons I have learned.

But mine is not the only way. Charlottesville is full of artists working directly in communities in a variety of capacities and I’ve invited a few of my colleagues to add their perspectives to the discussion.

Key invitees include:

• Fanella Belle (artist | community college professor)
• Aaron Eichorst (artist, primary school teacher)
• Greg Antrim Kelly (artist | director of the Bridge)
• Ross McDermott (photo + video | Charlottesville Mural Project)
• John Trippel (educator | plein aire neighborhood painter).

Please come and bring your own views. All are welcome to join this wide-ranging round-room discussion. Your perspectives will be welcome.

All Monticello Road events are free and open to the public. The Bridge is located at 209 Monticello Road, Charlottesville, VA 22902. [map | donate]

Monticello Road is a month-long celebration through photography and community events at the Bridge Progressive Arts Initiative. The exhibition runs through April 27. For a full schedule and more information, please visit www.monticelloroad.com. 

Story Sharing and Oral Histories Event

The Bridge becomes the neighborhood's front porch this Sunday. Bring your own rocking chair.

On Sunday, April 22, from 1-4 pm, the Bridge PAI is hosting an afternoon of story sharing and oral histories. As part of my Monticello Road project, we've invited a colorful group of neighborhood characters and long-timers to recount stories and spin yarns.

People with interesting stories will gravitate there but here are a few of the people who are definitely coming:

• My neighbor Rosie who has lived on the street for 50+ years
  
  
• Sonny, proprietor of Lazy Daisy and long-time resident/stakeholder
  
• "Doc" Frazier, race car driver and master-spinner of tall-tales
  
• Peggy, long-timer at the Blind Shops, whose grandmother lived on the road

It's not only for people who have lived here (or anywhere) for a long time: anyone with interesting perspectives, or who wants to hear them, is welcome.

It will be an after-church-style pot-luck so please feel free to bring banana bread, and other sharable nibbles.

All Monticello Road events are free and open to the public. The Bridge is located at 209 Monticello Road, Charlottesville, VA 22902. [map | donate]

Monticello Road is a month-long celebration through photography and community events at the Bridge Progressive Arts Initiative. The exhibition runs through April 27. For a full schedule and more information, please visit www.monticelloroad.com.

Creative Community Planning

 

Monticello Road is a fascinating combination of planning, organic historic development and spontaneous citizen intervention.

The Monticello Road community series continues on Tuesday, April 17, from 7-9 p.m. with a panel discussion on community and neighborhood planning. The event, which is part of AIA Architecture Week, is hosted by the Bridge Progressive Arts Initiative.

Lance Hosey (GreenBlue) will moderate a panel including Maurice Cox (former mayor, NEA director of design, currently at UVA Architecture School), Kathy Galvin (architect and City Council), Alison Hirsch (UVA School of Architecture), and Pete O'Shea (Siteworks Studio).

We will discuss ways that community planning can be proactive, inclusive and yield excellent results.

Specific topics will include:

• What historical processes aligned to make this place unique?
• How can planners seek out meaningful input from communities?
• What alternative strategies exist to assure both inclusiveness and excellence?
• How to bring in traditionally excluded voices?
• How to listen to vested stakeholders and truly address their concerns without them highjacking the process?

Charlottesville and Belmont in particular abound with urbanist case studies and we are quite sure it will be a lively discussion.

All Monticello Road events are free and open to the public. The Bridge is located at 209 Monticello Road, Charlottesville, VA 22902. [map | donate]

How You Can Help

We had a successful KickStarter campaign during in April 2012. We raised $4000, which funded the exhibitions, gift prints for all the subjects, several receptions and community events. Big thanks to all of those backers!

The project goes on and those funds ran out a long time ago. While our needs are modest, we are still accruing expenses and need to continually ask for help. It is still possible to make financial contributions--and people are doing so on a regular basis, which is great. Contact us to arrange a donation.

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Financial Donations
Monticello Road is a break-even project meaning that while we may not be paid for the considerable time that goes into it, we do raise funds to cover costs. For example, the photo booths cost a couple of hundred dollars to produce, but anyone who walks up can get a free print. We currently have about $500 of budgeted costs that need to be covered by donations. [Contact]

Buy the Book
The Monticello Road book captures the spirit of the project. It is 80 pages, full of images of the people and places that make it such a special place. Signed by the artist. You can preview it on the web but it's best (cheaper) to buy directly from me. It'a a great gift and a good way to remember the neighborhood or to share it with friends. Like everything in the project, it is pay-what-you can ($50 min | $75 recommended) [Preview | Contact]

Intern Needed
This project is very labor intensive but also very fun. In particular, the photo booths and oral histories both require logging, transcription, editing and, of course, field engagement. If you like art and/or people and have decent computer skills, this is a great way to be involved with a succesful community art project. [Contact]

In-Kind Contributions
Many people have contributed time, expertise, and even food and drink. It is a fun, social project that involves talking to our neighbors. If you have a special skill or would like to bring food to one of our events, please contact me: we need all the help we can get. [Contact]

Tell/Bring a Friend
This project is bringing new people into the arts, but sometimes those folks need encouragement or even a ride. Tell your neighbors about the events and bring them along—especially if they don’t usually go to art shows.

Walk the Road
The very most important thing you can do to make this project successful is to internalize its lessons and take them out into the world. Talk to your neighbors, smile at them and encourage them to share what they have to say. By encouraging others to do the same, our efforts will have a multiplier effect and bring about some real positive change.

Monticello Road: Gateless Community

 

I'm not naive: I've lived in some very divided communities and Charlottesville is far from perfect, but there is an engagement here--a real effort to work it out.

I just read a terrific op-ed piece in the New York Times about gated communities and what they do to our ability to trust one another and the tragic effects that can bring. Right away I was reminded why this project is so important.

Basically, the column says that in their fear of outsiders (and the question of who is really an outsider is impossibly twisted), people in gated communities sequester themselves ever more radically in a feedback loop of paranoia. By putting themselves in a place where they only see members of their own tribe, outsiders seem more and more terrifying--and the world is full of outsiders, isn't it?

Monticello Road is the opposite of a gated community (though it has not always been thus and who knows what the future will bring).  I'm not sure how it got this way--that will be a question for our Community Planning panel--but it is a zone where folks do interact in a way that is civil and often much better than that.

My front yard has a fence (the previous owners had dogs) but we tore down the gate and kids in the playground across the street often use our bathroom. Out on the street, you're likely to run into someone dressed like the Elvis or to meet a man named James Brown who is not the king of soul but the city Sheriff and an active parent. Folks of all ages and many ethnicities intermingle and the results are not always pretty but we are all engaged in working it out.

No one but Jesus asks us to absolutely love everyone we meet but there needs to be respect and acceptance: two sides of the same coin. And there's quite a bit of love as well, a currency that is built by sharing--not by burying it in the backyard. This project is about overcoming obstacles and sharing social capital.

The People of Monticello Road: Mas

If Clark is where you find the brains of Monticello Road, its palate is at Mas.

I had wanted to photograph there for some time, and had sent postcards and emails but I was too shy to ask directly. Eventually, it was getting silly: Mas had to be in the project because they are a very major piece of the neighborhood and the project would lack legitimacy without them.

So I plucked up some courage, went in and asked. It turns out that Tomas is surprisingly shy too for one so accomplished and he didn’t want the camera probing around, which is not an uncommon or unreasonable position. I told him I understood and sought the sympathy of a glass of Rioja at the bar, which he offered.

When I stopped on the way out to thank Tomas for the wine he said, “You know, there might be a way,” and invited me to Mas’ ninth anniversary party.

It turned out to be full of neighborhood movers-and-shakers and global foodies. I met writers, dentists, actors, chefs, architects, filmmakers and I got to know the staff a little bit—a hard-working and spirited bunch.

Not only is the place usually full of great food and interesting people, but there is an atmosphere of love and generosity that originates with the owner himself. Mas is as much about heart as it is about eating and drinking.

Going there was the perfect way to complete photography for the book (although there will always be more to add) and to move on to the next stage of the project.

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 Mas Tapas is located at 501 Monticello Road, Charlottesville, VA, open monday–saturday 5:30pm  until 1am (no reservations). For more info, please call 434–979–0990.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more opening April 6. [Details]
 
More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II | Photo Booth III

The People of Monticello Road: Michael the Mystery Man

Michael stopped by our second photo booth but he took off before we could get his name.

I wanted to include his photo in the book--how could I not? So we had to track him down to get his name for the caption and the search turned out to be quite illustrative.

I started by talking to local merchants and showing his picture around.

"Oh yeah--I know that guy," was a common response. "I don't know his name but I see him every day."

I put up signs that read, "Do you know this man?" without response.

Last Friday night during open studio hours at McGuffey, as people  looked at the "Faces of Monticello Road" wall of my studio, I received a vital clue.

Some folks from the neighborhood remarked that the plastic bag he always carries is from Kroger, and that he must walk to work there every day.

[Quick aside: It should be noted that Kroger is three or more miles from Belmont and his daily six-mile rain-or-shine round-trip hike is a seriously manly commitment to job, environment, fitness or whatever his reason.]

I went to Kroger the next day and asked the manager if he works there and right away, they said he does, provided an identification, and confirmed the hypothesis.

Problem solved through collective deduction. This project has shown me that the answers to many questions lay hidden (and sometimes in pieces) within a community. Persistent engagement is the key to putting them together.

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Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more opening April 6. [Details]
 
More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II | Photo Booth III

The People of Monticello Road: Clark Elementary School

Clark teachers serve up some soulful goodness at the 2011 Soul Feast.

With about 250 students and dozens of faculty and staff, it would be impossible to say anything definitive about Clark in a blog post. One can, however, convey a sense or impression, from one parent’s—and neighbor’s—perspective.

Two days ago, I rode the big yellow school bus to Richmond with Clark’s second-grade Quest group to see the mummy exhibit at the Virginia Museum of Fine Arts. We were five adults with just twelve kids and it was an unbelievable learning experience.

The previous school day (which was a Friday) had the evening Soul Feast—a community celebration of African American heritage through art, singing, chicken, black-eyed peas, and someone’s grandmas’ apple cobbler.

Not every day is a party at Clark, but these two events are very typical in this way: it feels like a family, small and loving with tons of attention lavished on the children. Everyone knows each other and the children have tons of interaction with adults and specialists of many kinds.

In the morning, Sebastian is like a rubber band and he launches himself off to school. He eats breakfast at home, then runs to get school in time for a second breakfast there because he enjoys the fellowship. In the afternoon he bursts out and we play on the playground for a while.

Many adults who live in the neighborhood attended Clark, and some of them work there. With its stately building—perhaps the finest in the system, its high hilltop site and doors open to the community, Clark is the visual heart of the neighborhood. With so many eager learners and their instructors, it could also be said that it’s where the brains are.

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Clark Elementary is located at 1000 Belmont Avenue, at the corner of Monticello Road in Charlottesville VA.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.
 
More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II

Exhibition Information and Community Events

Exhibition and events center (mostly) around the Bridge PAI, at the intersection of Monticello Road and Avon Street.

2014

Sunday, April13
Block Party: Tom Tom Fest / Belmont Bash
All Day, Downtown Belmont
Claim the street for new uses. Celebrate with your neighbors and visitors from around Charlottesville. Enjoy an unbeatable Virginia Spring afternoon.

2013

Sunday, April 14Tom Tom Block Party
2:00 - 9:00 p.m., The Bridge PAI
Recap | Photos | Preview

2012

Exhibition & Community Events

Photographer Peter Krebs spent two years documenting the people and places along this one-mile length of Monticello Road from Moore's Creek to the Belmont Bridge. A neighborhood resident, Peter revisited the sites repeatedly and in different seasons and compiled a comprehensive body of images. He talked his way into residences and businesses, set up informal photo booths and even engaged with strangers on the street. His images witness lives unfolding and the everyday magnificence he discovered is easily apparent in the pictures.

The exhibition, which runs from April 6-27, includes some three dozen prints as well as a slide show with hundreds of faces from Monticello Road. An 80-page catalog accompanies the exhibition.

Community Events

This exhibition is truly a neighborhood celebration and will be about much more than just pictures on the wall. It will be enlivened by a series of events that provide opportunities to know the neighborhood and its people in new ways.

The exhibition and most events (unless otherwise noted) take place at the Bridge Progressive Arts Initiative 209 Monticello Road, Charlottesville, VA 22902. 434-984-5669. The Bridge is open Tuesday to Saturday noon to 3:00 p.m. and during special events. Admission is free and the public is always welcome.

Friday, April 6
Opening Reception
6:00 p.m. - 8:00 p.m. The Bridge PAI
Bring your friends, put on a name tag and meet the people of Monticello Road. [photos]

Saturday, April 7
Film Screening: Still Life with Donuts
9:00 a.m. – noon. Filmmakers’ Q and A 11:00a.m. Spudnuts (309 Avon Street)
This documentary is a must-see for anyone interested in Belmont. The film will repeat throughout the morning and filmmakers Mark Edwards and Mary Michaud will answer questions at 11:00.

Thursday, April 12
Open House: Virginia Industries for the Blind
Tours 9:00 – 11:00 a.m and 1:00 – 3:00 p.m.  1102 Monticello Road
You might be surprised to learn that this quiet-looking place is making beds for the Navy. You’ll also meet some of the nicest and most interesting people there. Refreshments will be served. For more information please call William Vaughn (434-295-5168)

Monday, April 16 - Wednesday, 18
Clark School Second-Grade Art Class Field Trip Visits
The Bridge PAI

Tuesday, April 17
Panel: Neighborhood/Community Planning
In cooperation with AIA Architecture Week
7:00 pm – 9:00 p.m. The Bridge PAI
A who’s-who of architecture and planning will discuss what makes this place so special and explore new models for community development. [story]

Sunday, April 22
Story Sharing and Oral Histories
1:00 p.m. – 4:00 p.m. The Bridge PAI
You’ve seen some of the faces, now come hear their stories. We’re bringing long-time residents, transplants, and people with interesting perspectives for what is sure to be a rich and lively conversation. Food and beverages will be served. [photos]

Thursday, April 26
Artist’s Talk with Special Guests
7:00 p.m. – 9:00 p.m. The Bridge PAI
Peter will discuss his work and what he’s learned about the artist’s unique role in a healthy community. He will be joined by other artists who actively engage the community in different ways. Confirmed guests include Aaron Eichorst, John Trippel, Greg Antrim Kelley, and others.

Friday, April 27 Saturday, April 28
Bridge Exhibition Closes

Saturday April 28 (tentative)
Hangover Brunch
10:00 a.m. Moore’s Creek Family Restaurant (1710 Monticello Road)
Join us for a huge breakfast at the tall-tale-spinning headquarters of Monticello Road.

July 1- August 1
Exhibition at the Local (824 Hinton Avenue)
Twenty images, including ten never displayed before adorn the walls of a restaurant that is at the geographic and community heart of Monticello Road. [details]

July 9 - 12
StoryLine Walks
The annual Storyline Project guides rising 4th-6th graders through unique walking expeditions that culminate in a collaborative mural design. This year, the Storyline Project explored the people and places of Charlottesville through the theme of “Monticello Road: Portraits of the People.”
[info | photos]

Saturday, July 21 - Monday, July 23
Public Slide Show: the People of Monticello Road
6:00 p.m. - 12:00 p.m. (Jean's Beauty Salon, next to the Local)
Projected from the inside, this rotating display of images of the faces of Monticello Road will fill the storefront window and be visible from the street. [Preview]

September 7-28 (Reception Sept 7, 5-7 p.m.)StoryLine Exhibition
CitySpace (100 5th Street NE)
Piedmont Council for the Arts is proud to present an exhibit of photos, drawings, and video from the 2012 Storyline Project, a hands-on project for youth in the Charlottesville Parks & Recreation summer camp.

Sunday, September 30
Where We Live: Belmont
3:00 - 5:00 p. m. C'Ville Coffee (1301 Harris Street)
Where we Live—Stories from Yesterday and Today discussion series focuses on a different neighborhood every month and this month they’ve chosen Belmont. Come share your stories and recollections or just come listen.

The People of Monticello Road: Sonny at Lazy Daisy

At Lazy Daisy, customers decorate ceramic objects, which are then glazed and high-fired. Birthday parties are a big part of their business.

On the day we received the keys to our house, I went for a walk around the neighborhood and I soon came across Lazy Daisy Ceramics shop. I knew right then that we had made a good choice. Years later, as I re-explored in greater depth for my project, Lazy Daisy was one of my first stops. With a name like that, they must be friendly, right?

It turns out that they’re some of the nicest people around. During that first visit, more than a year ago, I was brave enough to ask to photograph the shop and its wares—which they enthusiastically permitted—but I did not ask the owners and customers if I could do their portraits—which is what I really wanted. They have many beautiful things there and I got some pretty good pictures. Since that time, the project has changed and I acquired the boldness that was lacking before. It was time to go back.

I scheduled a visit with the manager (her name is Tara) but she advised me to come at a time when her parents would be around. The next day, I was hanging out with Sonny Mawyer, the establishment’s long-time proprietor and a gold mine of neighborhood lore.

Sonny has seen a lot along Monticello Road these past 35+ years and he knows something about pretty much every property along the way—and many of the people as well. When I mentioned to my neighbor (the one with a broom from the Blind Shop) that Sonny would be at our April 15 story-sharing event, that sealed the deal for her—she would go too.

It’s really no wonder Sonny and his wife Novella have such a beloved reputation. They're friendly and generous and they run a business that helps children make beautiful things on their birthdays. What a perfect way to follow my visit to Spudnuts: another locally-owned business, run by family members who are very invested in their community and who sell small embodiments of love.

It will be very interesting to hear some of the stories Sonny has to share—he told me quite a few during the hour I spent with him. He said he would bring his friends and it looks like they will be many of both—stories and friends.

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Lazy Daisy is located at 1709 Monticello Road, Charlottesville VA.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.
 
More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II

The People of Monticello Road: Spudnuts

Lori's behind the counter every day of business.

One of the risks of traveling Monticello Road by any mode is that it is very difficult to get past Spudnuts without stopping in for one of their golden delights. The place is strategically sited; right on the way into town and it casts an aroma that beckons like a siren’s song. Their under-a-dollar treats always live up to expectation.

I’ve always known there was something special about the place—even way back in the eighties when I first started coming here—and it’s apparent from the outside. With the ring of the bell as you walk in door, the sense becomes unmistakable.

The yumminess of the doughnuts and the allure of the place derive from much more than the sum of the somewhat unconventional ingredients. As I spend time with Lori and her family (who are always there) it has become clear that their personalities are what makes the place so special. It pervades everything about the place: the décor, the arrangement of the tables, and the food itself.

The room nearly bursts with a combination of love and integrity. It’s honest, modest, reliable, a little bit quirky and it feels like home. These adjectives also describe the product and the people on both sides of the counter—staff and customers. They’re making the world better simply by being in it, working hard and putting out a lot of love.

Lori said of my project, “People like it because it’s a positive thing that brings people together in a difficult time. They can see that you’re sacrificing and putting a lot into it and they respect that.” Those words actually describe her own enterprise quite well and it explains why we all love the place so much.

Spudnuts is a treasure and has been for generations. They are a very good example of what makes a community work and a place special.

Spudnuts Photo Booth

Excellent Documentary: Still Life with Donuts

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Spudnuts is located at the corner of Avon and Monticello Road, Charlottesville VA.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

 
More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II

The Artists of Belmont

Clark Elementary School, Spring 2011.

Three photos from my Monticello Road series are included in the Artists of Belmont exhibition at Firefish Gallery, located at 108 2nd Street SW in Charlottesville. This is the first taste of the much, much larger presentation at the Bridge in April.

There will be a reception Thursday January 19  7:00-10:00 pm. The exhibition will continue until March 1st.

Hope to see you there!

The People of Monticello Road: Virginia Industries for the Blind

Kitten at Virginia Industries for the Blind.

Monticello Road is a quiet place, mostly residential with a few neighborhood businesses mixed in. It might come as a surprise that one enterprise is shipping beds, safety vests and more around the world. Virginia Industries for the Blind’s Charlottesville facility, known to old-timers as “the blind shops,” is a neighborhood fixture. That’s where my neighbor Alma got her mop and yours might have been assembled there too.

It would be impossible to guess the scale of their operation from the building’s quiet exterior and very occasional truck traffic. Although the facade is just three stories tall, the site's strong front-to-rear slope nearly doubles the building's height to the rear. It’s also one of the oldest buildings on the street, a fact that is hidden under the whitewash that accompanied its turn-of-the-millennium renovation. It’s of an age with the obviously historic Clark School across the street, but its look is somehow contemporary.

The interior is a spotless (after all, mops are made there!) and highly-efficient workspace. Areas are divided by function: sewing, packing, etc, all operated by a rotating staff that is extremely convivial. One might expect so many moving parts—bailers, presses, sewing machines—to present considerable dangers to the visually impaired. While some of the machines are retrofitted with additional safety measures, my perception is that the workers’ greatest protection is their training and familiarity.

William, Robin, Ronnie and Raymond in one of the sewing rooms.

In fact, as I walked around, I kept forgetting that the people around me were blind and I had a hilarious reminder when I was asking William (their marketing chief and my guide) about the exquisite views from the building’s high windows, and whether Monticello could be discerned in the distance.

“You’re asking the wrong person,” was his deadpan response.

It was pretty much the only question he couldn’t answer and it wasn’t only William who was friendly. Almost everyone there was enthusiastic and wanted to learn more about—and take part in—the project. It will be interesting to hear their stories, as some of them have been there a very long time.

That will be the purpose of a return visit, hopefully soon.

Monticello Road Photo Booth Coming to Spudnuts

Update: Due to extreme slowness in the doughnut trade during the holiday week, we have rescheduled the photo booth for Tuesday, January 3, 10:30-12:30. Hope we see you there!

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The third photo booth should be the coolest of them all: we’re going to Spudnuts!

If you live/work/play/travel along Monticello Road stop by Spudnuts on Thursday December 29, between 10:30 and 12:30, get your photo taken and receive a free print on the spot.

Our impromtu photo booths at the Bridge and La Taza were great fun and this promises to be even better (because there will be doughnuts).

Lori’s excited about the project and so am I. I hope to see you there!

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Spudnuts is located at the corner of Avon and Monticello Road, Charlottesville VA.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II

The People of Monticello Road: Holiday Edition

Not all of the gems along Monticello Road are hidden. In fact, one of them is so visible that it causes people to exit the nearby interstate to investigate.

On evenings in December, there is a steady stream of cars and families rolling up to visit Santa or to stroll wonder-struck through his amazing menagerie of lights and inflatables. It's really unparalleled, though his neighbor bids fair with his own over-the-top holiday decorations. (see Ross McDermott's excellent documentary on the mostly-friendly rivalry).

It's a cool place to hang out--quite litterally so. The Santa/proprietor (who's known as Jeff during the rest of the year) attributes his compound's noticably chilly temperature to the scores of fans needed to keep the blow-ups inflated. I suspect there might also be some North Pole magic involved as well.

It isn't sorcery that illuminates the thousands of bulbs or keeps those fans blowing however. Jeff spends thousands of dollars of his own cash (plus the pittance in his tip jar). That--and the incredible time he puts in--is his holiday gift to the world, freely given.

So that slight chill you feel does come from the spirit of Christmas in a very real way--along with the peppermint candy cane he hands you on your way out.

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Jeff's holiday menagerie is located at the bottom of the Monticello Road, behind the gas station--close to I-64.

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

More Profiles | Project Description | More Photos: Places | People | Photo Booth I | Photo Booth II

Monticello Road Update #1: Exhibition Details

We're hoping to get Adam Larrabie (left) to play at the opening.

As we approach 2012, we can announce some more details about the exhibition.

The show at the Bridge PAI will take place from Friday April 6 (Opening Reception) to Friday, April 27.

Most of the images are already printed and heading to the framer. I will add a few more as we get closer and I keep working. There will be 25-30 archival, editioned, prints plus a slideshow of the portraits from our site visits and photo booths. [Previews here, here, here, and here] There will also be a hardback book, which is currently in the design phase.

During the course of the exhibit, we will have at many corollary events. Here is a minimal list; exact dates to come:

Story Night. We will invite a diverse group of characters to give perspectives on how Monticello Road has changed. We will record these histories to share in the future.

Movie Night: Still Life with Doughnuts. A documentary by Mark Edwards and Mary Michaud (two Monticello Road residents) about the neighborhood. They will talk about their project.

Architecture Night: Architecture Week falls during the course of this exhibition and we hope to bring together a panel of architects and urban planners to discuss this unique thoroughfare.

Q&A with John Trippel, plein air neighborhood artist. John Trippel works on site, documenting the neighborhood in oil paint and he has many interesting perspectives.

Clark Elementary Art Club Visit: Date tbd

There’s a lot going on and we expect to add more. Please stay tuned!

Monticello Road Update #2: Time for the Next Stage

This neighborhood is very culturally rich. People like Christian DeBaun--one of the prime movers behind the Charlottesville Photography Initiative--have tremendously much to offer besides being willing subjects.

I had an amazing talk with, Lulu Miller, a kick-@$$ writer/story-teller/oral-historian who lives in the neighborhood. The discussion made me realize that the project is ready for its next stage.

Not only does Lulu completely understand what we’re doing and why but on a fundamental level she appreciates the profound ocean of interesting experience behind every portrait. It would be great to have voices to go with the faces, but it’s not really my specialty. It is hers though!

This has been the plan all along: to open it up to a wider collaboration beyond myself. I have been biding my time in assembling the team to expand the project in this way. Three intertwined forces are coming together that make the moment ripe.

1. The project is now mature. There is a very, very substantial body of images—more than enough for the exhibit, book, and whatever else we want to do—and it is growing all the time. We have a respectable platform in the Bridge and lots of media interest. Our work will definitely be seen/heard.

2. The project has a significant network of sources, plenty of interviews just waiting to happen and access and street-cred that will open many more doors as well.

3. Developing these networks has brought us into contact with some very impressive and skilled potential collaborators. The past year of pounding the pavement has honed the message so it is clear, finite, and compelling—a much easier sell to those specialists.

I told Lulu that the past year has felt like the discovery phase of a larger project and as the photography piece begins to take physical form, it is time to plan the next, wider step.

In the next few weeks, we’ll be recruiting collaborators and looking at—and beyond—the April exhibition into ways to extend the venture beyond our existing plans. We’re thinking about deepening the project, doing more within the neighborhood, but also with an eye on creating a model that other people can use in other places.

Watch for some kind of summit or meet-up or feel free to contact me with your thoughts, ideas, and volunteerist enthusiasm. This project is all about Community and what it means to inhabit a space together. It’s exciting to think about working, and growing, in concert with such impressive and interesting people.

Photo Booth Again!

Michaux and Rigel.

The second photo booth was even more fun than the first. Big thanks to Preston P. Jackson, The Bridge PAI, and the Farm Cville for all their help!

The local NBC affiliate stopped by just before the rain started. Story summary here.

View the Photos

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Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

Project Description | More Photos: Places | People | Photo Booth I

It's All About the Love

Basking in the glow with one of my favorite people: Super-Volunteer Carole, who manages the Photo Bridge. Photo: Random stranger.

The ING New York City Marathon is a gigantic expression of much that makes us human: our insane ambitiousness, the love between people standing side by side and sharing respect for a third person who is trying something difficult. It is a communal mobilization to push, pull, and carry ourselves and one another through our barriers.

From my privileged position (I typically work on the Finish Line) I can see it all in very close detail—the sweat, the tears, the blood, and some less savory things. I can step back and see the whole massive spectacle, hear the music and the cheering. I am surrounded by a band of colleagues whose fellowship has been forged in the heat (and freezing cold, rain, sleet, and pre-dawn darkness) of previous engagements with duress.

That bond is not unlike that among the runners or between them and the screaming spectators. Our struggles and triumphs are shared and they bind us to one another. Our humanity is on display like an untucked shirt and we are all wearing it together.

Update:

Here are some links to see some great photography from this year's Marathon:

Sameday "Faces" Gallery This is the best of the several galleries our in-house team threw together before the race had even finished. Links to other related galleries within.

New York Times See especially the photo galleries on the right side of the page.

Getty/AFP/SI This alliance is truly formidable--but not because it gives them alot of shooters (which is does) but this particular group shot like some all-stars.

European Press Photo These guys usually send a tiny crew but do a tremendous job... What a great photo of Geoffrey Mutai here.

Reuters A nice little slide show focused on quality instead of quantity--trust me, they had both.

Associated Press Lots to look at. Some of the world's best doing excellent work.

Photo Booth Part 2

We had such a blast at our last photo booth, we're doing it again!

If you live, work or travel on Monticello Road, please stop by our informal photo booth (part 2) on Thursday November 10, from about 8 to 11 am. We will set up outside the Bridge PAI (weather permitting), take an informal portrait, and give you a free print.

It's fun and it's social and an easy way to take part in a community-based art project.

The Bridge is located across the street from Spudnuts at 209 Monticello Road.

Hope to see you there!

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Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

Project Description | More Photos: Places | People

A Different Currency

San Angelo (For Renate) Charcoal on painted masonite, 16x30” 2011.

I find that almost everyone wants art for their home but for all that, most people seem reluctant to spend real money on it. I’ve been searching a long time for ways to change their minds about that but words and ridiculously low prices don’t seem to do the trick as well as I would like.

I don’t think it’s about the art: it’s about the money. What would happen if we take cash out of the equation? In a healthy community, we should be able to reward and support one another without passing greenbacks back and forth.

I’ve always been a big fan of the barter economy and it presents opportunities that are easily overlooked. In this case, my friends Renate and Bill wanted art for their new home, but construction costs did not exactly leave them flush with cash.

I practically live on bread and almond butter and Renate is the best baker I know, so it seemed like an opportunity. I have tons of art and it does no good in my studio and Renate bakes every few weeks: it’s no problem for her to add an extra load for me. I get a loaf every few weeks.

How do we calculate value of bread versus art?

Let us assume that we’re all equal and our time is worth equally much. Then it’s simple. I just kept track of my hours—in this case it was about thirty. Renate will consider the added time that I’m costing her make me appropriately many loaves. As for expenses, she uses fancy ingredients, so the expenses match up pretty well and actually are likely to be a little higher on her end, so she won’t need to spend 30 hours kneading and mixing.

So I’m eating better than I would and the new piece will look great in their house. The thing that pleases me most is the gifts that we are each giving each other. I think about Renate at the breakfast table and my drawing will hang next to hers.

This is an exchange we can both celebrate.

Free Photos Here

Just getting this photo of Melissa made the visit worthwhile but we accomplished much, much more.
More Photos.

In the latest step in our People of Monticello Road project, we set up an impromptu photo booth at a neighborhood café (La Taza), to try to catch as many passers by as possible. We had a portable photo printer and gave on-the-spot prints to anyone who agreed to have their picture taken.

Our larger purpose is to get art and artist out into the community and this was the fullest expression of that notion to date. We were out in the public, talking to them and making art in a way that was very transparent, in a space that was very comfortable—free from many of art’s usual barriers. There were many discussions, and much learned by all—and we managed to get some great pictures. That was no coincidence: the art came from those discussions.

We were operating without a script in uncharted territory so we didn’t really know what to expect. Because we were new at this, or shy, or whatever, we really limited ourselves to those individuals who entered the café patio and did not flag down as many random passers-by from the sidewalk as we had planned. Now that I see the importance of the interpersonal interactions and shared experience—even if just a love of java—I'm not disappointed. It’s as difficult to conjure a portrait from nothing as it would be to start a conversation from absolute scratch and then you have to wonder about the quality.

Indeed, although the whole thing was fun, the best and most useful images were from those most invested in the café: the owners and staff, who have really been champions of the project. That really validates the notion that great portraiture arises from familiarity, and the more the artist and community invest in one another, the better the results for all.

Huge thanks to Melissa and Vanessa at La Taza for letting us use their patio, and to Preston Jackson and Sarah Derr who assisted on the project.

View the Photos

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Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

Project Description | More Photos: Places | People

Photo Booth

Kate and Chloe toast the first whiff of Spring

Do you live/work/play/travel along Monticello Road? Stop by La Taza Tuesday morning (8-10 or so) our informal and impromptu photo booth. Get your picture taken, add your image to our archive of the People of Monticello Road, and take home a free print.

It’s an easy way to join a community-based art project and it’s free.

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La Taza is located in Downtown Belmont at 407 Monticello Road

Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

Project Description | More Photos: Places | People

A Financial Quandary

Sometimes, stuff's just not free.

Monticello Road is as much social experiment as art project. There are challenges related to photography and to talking our way into people’s homes and lives but perhaps the most vexing piece is figuring out a way to pay for it.

The typical model is to make art, charge a lot of money for it, and hope that enough people buy so we don’t lose our shirts. The problem is that it inserts money between art and audience and it would not serve for a project about community and dropping intrapersonal barriers to contain an economic wall at its core.

Many have contributed generous portions of their time and talents. Yet, the question of money remains: the project cannot happen without financial legs. So I pose the question to you, my audience, collaborators, and neighbors: how do we make this show happen financially, while remaining true to our values?

Here are the core economic principles any solution must address:

1. Everyone who gives their time for the project, by posing, allowing us to poke around their business, telling stories—or anything—ought to get a framed print. It need not be fancy, but it should be something that they can hang proudly on their wall.

2. The photos, books, and everything else we produce should be available to all, regardless of means. This is a project about community and if someone wants a photo of their friend, neighbor, or favorite spot, they should be able to have it. Cost should be subsidized for those in need.

3. The artist needs to be paid. Typically, the artist fronts huge expenses for materials and presentation, studio, etc. He is lucky when he breaks even. This work is important and should be compensated.

4. The venue (in this case the Bridge PAI) needs to be paid. The Bridge cannot continue its programming (or even continue to exist) without money.

5. The corollary programs (story-telling, film night, architecture talk, etc) should all be free of charge so to encourage the widest participation. At most, a token fee should be charged.

5a. Everyone must feel welcome regardless of means.

I suspect that we will employ a combination of strategies including:

• A sliding price scale
• Community-based fund-raising such as kick-start
• Grants
• Barter whenever possible (that’s how we’re paying our “models”)
• In-kind contributions from businesses
• A donation box

We’re completely open to suggestions for ways to make this thing work and we’re sure that this is not the last time we’ll ask for help. This is a community project and we need your skin in the game: your time, your labor, perhaps your cash, but for now, it is ideas that we’re looking for.

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Monticello Road is a photography and story-telling project about the people and places along a mile-long byway that is simultaneously humble and historic, home to many and a reflection of us all. There will be an exhibition and much more in the Spring of 2012.

Project Description | More Photos: Places | People

The Temple of my Mother

My mom would want me to take my camera along on my voyage of remembrance and I'm glad I did! I was channeling something that day and I can't wait to share more of the results.

When the news of my mother’s passing went out, we received many encouraging words and offers of support. It feels really good to know that I am the opposite of alone: I have many friends who would gladly do anything I ask, no matter the reason.

There was one invitation I especially could not resist: James’ cabin in the Goshen Pass, the seat of many joyful memories, a place of terrific beauty, and not least a place where I could spend some quiet time with a very dear friend, talking over weighty (and weightless) matters.

With my family’s blessing I threw my sleeping bag and a cooler in the car and raced over the Blue Ridge with an elated spirit. Knowing I would arrive about an hour before James, I resolved to go for a run and I knew just where I wanted go: a trail called Laurel Run that follows a lovely side canyon along a mossy and steep-falling brook into the heart of the mountains. I just wanted to stretch my legs but I got more than I expected.

After climbing a few miles, the trail petered out into a secluded glen high in a sheltered amphitheater on the mountain’s shoulder. The ground was mossy damp and open, with mighty oaks soaring up to support a green canopy high above. There were no human sounds and a quiet that is not typical in Virginia—just a few crickets, distant birdsong, and the sound of acorns falling.

I had strode unexpectedly into a cathedral, of the kind my mother had often spoken longingly and there could be no better place to remember her. I walked through the trees feeling completely invigorated and in touch with all lives, both current and disappeared or even forgotten. I thought about her presence in this place, within me and everywhere.

At a moment when I was receiving encouraging notes and gifts, this was the mightiest of them all. I am grateful for whatever force called me to that particular place. Whether it was a benevolent voice from my mother or from within me or simple chance that took me there, it was exactly what I needed.

After some remembrance and contemplation, I flew down the mountain and back to the cabin, ready to celebrate. I picked up some of that bumper crop of acorns. I will plant one in my yard to remember my mother, who taught me how to walk with the trees.

Postscript

I stored the acorns in a little plastic cup on my side porch. Meredith reports that some squirrels raided the place and spirited the acorns away. It looks like the job of planting them is now out of my hands. One can only hope that the squirrels buried the nuts in spots with plenty of light and that they forget a few of them, as they often do. It's an absurdity that my mom would appreciate. Meantime, I'll be on the lookout for tiny seedlings with alternate-lobed leaves.