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Monticello Road is a community arts project in Charlottesville, Virginia. Through photography and a series of public events and conversations, we explore how an art can be an essential, integral and everyday part of a healthy community.


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Showing posts with label Love the City. Show all posts
Showing posts with label Love the City. Show all posts

Saturday, September 12, 2015

Unsorting America: an Encounter w Dr. Mindy Fullilove

Few issues are as vexing or worrisome as the accelerating process of social sorting that is un-knitting the American people. It’s everywhere—in our politics, school segregation (which has returned with a vengeance and in surprising ways) and in our settlement patterns, including otherwise progressive neighborhoods.

Its what I'm learning is a “wicked” problem—one that must be unraveled from many directions simultaneously while each effort affects the others. I was fortunate to hear Dr Mindy Thompson Fullilove speak on the issue, in which she laid the issue out in stark terms but also proposed a plausible path forward.

Sunday, July 6, 2014

DC deserves personhood status.


Detail, Yoko Ono's "Wish Tree for Washington DC" at the Hirshorm Museum and Sculpture Garden. Definitely feeling some love on this trip....

I just got back from a Fourth-of-July getaway weekend to Washington, DC—the place where I grew up and came of age. Meredith and I lived there during an unforgettable period—Marion Barry’s bitch-set-me-up heyday—and a pivotal time in our own small lives. Our first independent households, careers born, graduate school, married and identity frameworks forged. It will always be a special place and I love going back there but I was especially jazzed to notice something profound on this past trip: a new maturity, though I cannot say whose.

The DMV has arrived as a major metropolis, in ways that go beyond its enormous size. The Metro is still pretty clean but now it has buskers, rats, people selling crap—and a feeling of shared endeavor. There’s a lot going on around town, quite different from the easily exhausted scene in the eighties and nineties. It’s grown nicely and added many cool things—like the terrific Capital Bike Share, on which New York’s CitiBike is modeled. The infrastructure has improved and it’s even more pleasant to walk, run and ride about then it was before.

Even though much has been added through in-fill (enterprises ranging from garden shops to a baseball team), many of the institutions from back in the day are still there as well: stores, restaurants, bars, secret gardens, shortcuts through the woods, places to hear a guy play sax by the river.

By contrast, nearly all of my friends have moved on, which surprisingly does not bother me—it’s just the flow of life. It’s almost the opposite of New York where most people are still there, clinging to whatever branch or root they can find, while the landscape around them is blasted away by a flood of real estate money.

Meantime, DC has continued to grow and flourish, playing with new ideas and points of view. Being back this time felt like visiting a friend that has retained its main personality traits and is still very familiar and welcoming but has developed in the meantime, with new thoughts to share. The city had acquired personhood—or maybe I just noticed it.

I grew up a huge devotee of Italo Calvino, Armistead Maupin, Lawrence Durrell and writers who talk about cities as living, organic entities. But that didn’t really feel the case for my hometown. It was as if the abundant green space dispersed the energy too much for it to coalesce and ignite fusion, making it a pleasant place but not a real city.

The spark is definitely there now, but if Calvino taught me anything it’s the impossibility of knowing whether it’s the place that has changed or if the maturation I’ve noticed is my own.

Postscript:

I ran the concept by my friend long-time James, traveler, poet/philosopher Lawrence Durrell character. He just recently gave up his DC address but was back in town to work the Folklife Festival and couch surfing--much as I do for the Marathon. We watched the fireworks together on a rooftop with a partially obscured view, then went back to his friend's apartment and drank Virginia viognie and talked about the world. A typical evening. Anyway, when I texted my thesis to him, he responded:
I think DC is stuck in an adolescent purgatory and will never attain personhood. This is because it is a 4-year town. If we move the capital to St Louis,  DC will become Fred Sanford.
Well then.

Monday, November 7, 2011

It's All About the Love

Basking in the glow with one of my favorite people: Super-Volunteer Carole, who manages the Photo Bridge. Photo: Random stranger.

The ING New York City Marathon is a gigantic expression of much that makes us human: our insane ambitiousness, the love between people standing side by side and sharing respect for a third person who is trying something difficult. It is a communal mobilization to push, pull, and carry ourselves and one another through our barriers.

From my privileged position (I typically work on the Finish Line) I can see it all in very close detail—the sweat, the tears, the blood, and some less savory things. I can step back and see the whole massive spectacle, hear the music and the cheering. I am surrounded by a band of colleagues whose fellowship has been forged in the heat (and freezing cold, rain, sleet, and pre-dawn darkness) of previous engagements with duress.

That bond is not unlike that among the runners or between them and the screaming spectators. Our struggles and triumphs are shared and they bind us to one another. Our humanity is on display like an untucked shirt and we are all wearing it together.

Update:

Here are some links to see some great photography from this year's Marathon:

Sameday "Faces" Gallery This is the best of the several galleries our in-house team threw together before the race had even finished. Links to other related galleries within.

New York Times See especially the photo galleries on the right side of the page.

Getty/AFP/SI This alliance is truly formidable--but not because it gives them alot of shooters (which is does) but this particular group shot like some all-stars.

European Press Photo These guys usually send a tiny crew but do a tremendous job... What a great photo of Geoffrey Mutai here.

Reuters A nice little slide show focused on quality instead of quantity--trust me, they had both.

Associated Press Lots to look at. Some of the world's best doing excellent work.

Saturday, March 26, 2011

When the Furrier Flies


Liz had a Times photographer with her who shot some nice images here using a DSLR but this was an occasion where my S90 was probably a better tool for the job. A high-end point-and-shoot it is very strong in low light but its best feature in an occasion like this is its very humble appearance. No one minded me poking my toy-looking camera around or changed their behavior at all, which is very good in such a emotionally charged, intimate moment.

One of the best things about my job is visiting the myriad people and places along the Marathon route. The reason why it's such a cool event is because it's in New York: home of eccentrics, maniacs, and endless variety.

While she was writing her book about the Marathon, my friend Liz connected with an old man furrier (is there any other kind?) in Greenpoint named Irving Feller. When she heard he was going out of business, she had to make one last visit. She let me tag along.

Liz did a great job of describing Irving's sanctum of solitude, so I won't attempt (and fail) to duplicate her work. Instead I'll just share a few quick impressions.

She and I share a hearty reverence for the bygone and disappearing, the surprising and the gritty; all of these traits are abundant in Irving's musty piles of personal history. I never knew the guy, and I would not exactly call him friendly, but somehow I'm sad to see him go. For all his crankiness he's endearing and he possesses an integrity that demands immediate respect. He's not pretending anything.

Someone asked me what seemed the most valuable and in a room full of sables and minks, I did not hesitate: I went straight to an old dresser completely filled with ballpoint pen drawings Irving executed during the increasingly abundant spare time of a failing businessman and polymath artist. His daughter gave me one and I'll definitely honor it.

The streets of New York are lined with metal gates over storefronts with "For Rent" signs and each shuttered enterprise is someone's dream realized--and ended. What a privilege to be given entree into one such life story! The new is built upon the old, and there is much nourishment to be found in that composting soil.

Irving's place provided plenty of food for inspiration.

Sunday, February 6, 2011

a little crazy


There’s nothing good about an inch of ice on the sidewalk, but there’s nothing not to like about a gigantic snowman with a farm-fresh carrot nose—that’s apparently been stolen.

During my last visit to New York, one of my Road Runners friends asked a question that touches the core of this blog. “When you’re here do you ever think we’re crazy for the way we live?”

Well, yes.

It was especially bad this time amid talk of laying off 20,000 (!) teachers—basically anyone hired in the last five years. Streets had not been plowed because (a) the Sani workers wanted to send a message or (b) there had just been big cuts or (c) incompetent leadership.

Responses to the above varied according to union affiliation and/or attraction to conspiracy theories. Trash piled in man-sized mounds and everyone was grateful that the sub-freezing temps kept the smell and vermin at bay. A novel solution: instead of picking up trash, place it in deep freeze, kind of like left-over turkey parts from Thanksgiving. Wait a minute: those are leftovers from Thanksgiving!

These dark thoughts swam in my head as I ice-skated down the un-shoveled sidewalk to a final brunch date before catching the train back to Virginia. After five minutes in a great café with my friend Amelia, I couldn’t care less about the street conditions. The people are what keep me coming back and they’re still amazing, inspiring, and full of surprises.

After brunch, she took me on a tour of her new gallery and my mind was repeatedly blown away by the things I saw. She showed me a video of a dance performance from Brazil that was gorgeous in its simplicity. The other works on display explore some of the issues that are front and center in my own practice and they do what art does best: reminds us that we are not alone in our emotions. I felt invigorated and ready to jump back into life, somehow restored.

Then it was time for me to rush off to the train station after a quick hug and a last smile. I’ll be glad to return to warmer and greener climes but I’m easily reminded how great it is in New York and why we went there in the first place. It’s all very exceptional and a little bit crazy.

Wednesday, September 15, 2010

Friends with Rockstars

Huge thanks to Anki, John, Wellington, Jen, Laura, Rachel, Pamela, Splinter, Amelia, Liz, and the other Amelia for hosting me recently.

There's no way I could handle the back and forth to and from New York without my amazing friends.

Not only would it be cold sleeping on the street but much more importantly, my mental state would not hold up well at all. It's not easy constantly saying goodbye to my family but these guys and ladies do alot to cushion the blow.

Their loving presence creates a warm and very safe cocoon in which I feel very comfortable away from home. While I'm in New York, I mostly want to hang out with them, so it's a good thing they're such fascinating people.

In fact, hanging out in their living room or at a quiet table in some artsy cafe or bar is just about my favorite thing to do in the City.

I've been to many shows and seen some amazing things, but I'm fortunate to have some seriously interesting friends, and they're really coming into their own as artists and creative people. I feel lucky just to spend time with them and they're as generous with their time as with their hospitality.

So, a great conversation in a comfortable environment with people who care about me. At night I sleep like a rockstar!

Friday, August 13, 2010

Running Into--and With--Old Friends


Courtesy New York Road Runners


Last night, I set out for an easy run at my old striding grounds at McCarren Park and I decided to represent the home team by wearing my North Brooklyn singlet. As usual, I started by cruising past the track to see if there was anyone I knew.

Not surprisingly, Coach Kiki was in the house, with a very full training class and that made me very happy. I was even more pleased to find a huge group of runners milling about the starting line, and they turned out to be my old buddies, the North Brooklyn Runners, along with some guests from the Dashing Whippets. They were about to start a track session and I was glad to join in.

McCarren Park has a beautiful track but almost always full of human obstacles—adults, children, soccer balls, bikes, strollers, and the like. Nevertheless, it was a quality workout and much, much better for the company. They had runners of all abilities and many, many interesting people to talk to.

Even though I live in Charlottesville, North Brooklyn is still my team for the time being and it was very amusing to explain my arrangement over and over during the recovery jogs.

Runner: “So you live in North Carolina?”

Me: “No: Virginia.”

Runner: “But you’re wearing the shirt.”

Me: “Well, I still live here part time. I used to live in the ‘burg but I still work for Road Runners so I’m back in the neighborhood on the regular.”

Runner: “I remember you: welcome back.”

Without fail, they all said that last part. I could not imagine a more friendly group and it really made my day to happen upon them.

The fellowship got even better when the group went to the Turkey’s Nest to rehydrate with huge beers served in Styrofoam cups. They can all run but some of them are dangerous pool players as well.

Running into friends is one of the very best things about the City. It can be a very lonely place but company often materializes in surprising ways, refreshing like a desert oasis. Those human interactions are a big, big deal for me.

It was an unexpected way to spend the evening: spontaneous and fun, and very healthy. What could be better?

Monday, August 3, 2009

The Proust in me gets loose


This lovely Beaux Arts building on the edge of a vast and wasted brownfield made me feel like I was inside a Hopper painting. I was feeling that Hopper loneliness on the inside as well...


Mere hours after writing that last bit about not feeling strange to be back in the old neighborhood, I lost it and started sobbing like a little girl. I was in the studio packing up Sebastian’s area and when my iPod served up “Coney Island Baby” by Tom Waits it hit me like a truck: the hours Sebastian and I spent at the Treehouse studio are gone forever. No more shark mask, scribbling on the chalkboard, “Play Tom Waits Daddy,” or bouncing on his tummy on the yoga ball. Nothing illuminates the relentless passage of time quite like a child growing up—except perhaps packing—and packing a child’s things can be downright deadly.

I quickly stuffed his past of the studio away as much to get it out of sight as the need to get it ready for transport to Virginia. Sebastian will probably never enter that studio again but I still need to keep working there through the autumn. I can’t be spilling tears on my drawings every time I notice his empty chair.

When I left the studio and went back to Mark & Amelia’s to go to sleep, I kept seeing the neighborhood in double-vision, always oscillating between was and what is. Walking down Bedford to the old apartment building, I couldn’t help thinking about the first morning Meredith and I woke up there. We were incredibly glad to be there and walked hand in hand down the avenue to Verb café for breakfast. Croissants in a sidewalk café felt like a little piece of Heaven to us.

We had high hopes for the neighborhood and for the life we would make there. I don’t mean to say that our hopes were betrayed or that our dreams did not come true; they did. More so, perhaps, than we had bargained for, as the single café multiplied faster than rats. I still prefer Verb and its contemporary Read/Rabbit Hole which were there when we moved in. Perhaps a good thing run amok, but Williamsburg is still fun and our life there was still good all the way up to the last day. And the time I spent there this past week was lovely. I don’t particularly begrudge the place what it has become. Everything changes.

Whether dreams live or die or come true or not, there’s something priceless about their wide-eyed early days when everything seems possible and we give Life the benefit of the doubt. The things about the neighborhood that came to drive us crazy were very present back then: noise, stink, bugs, crime, poverty but they were easy to overlook in favor of a more beautiful vision. So it’s not really about how the neighborhood was, as how we were.

Awareness of the passage of time can be a very troublesome thing, the source of many heartbreaks. I’m sure every parent sometimes wishes their children were young again and we occasionally wish something quite similar for ourselves as well. I think it’s sweet and it keeps us connected to something gentle and pure inside. Like any indulgence, nostalgia should be taken very sparingly but it can be a real treat from time to time.

Even when it hurts a little bit.

Sunday, July 26, 2009

A Most Dramatic Welcome

Ever since I lost my Elph, I've been trying my hand at phone photography to fill that spontaneous poloroidesque snapshot role that my SLR can't handle because it's too bulky or not convenient enough. This shot was taken while I was stuck in traffic in Newark,

This is a special moment for the blog: the first time I'm venturing into the City after setting up shop in Virginia. In a way, it's what we've all been waiting for: the CountryMouse gets his turn in the City.

I just got here and need to digest a little bit before I can say how it feels to be back (maybe it's the huge pork burrito I just inhaled?). The return trip was certainly momentous, beautiful and precipitous.

If I had very jumbled feelings about returning to the City that Never Sleeps, it was nothing compared to what was happening in the stratosphere.

Instead of the typical I-95 route, I prefer whenever possible to drive up I-81 through the gorgeous Shenandoah Valley to I-84 through Pennsylvania Dutch country. It's just as fast (if not faster) and so beautiful as to make the trip itself almost a pleasure.

Almost.

Anyway, it was a perfect summer day with that golden light falling softly over blue mountains, green forests, and tan fields of wheat and mature corn. All the way up, there were huge mounds of storm-bearing clouds to my right, the East, as I traveled North. When I turned East just past Harrisburg, I was exposed to a full-frontal view of a spectacular meteorological show. Those huge anvil clouds let loose in front of me with tons of lightning and black skies beneath the towering thunderheads. Never on me, mind you, always in front of me. It was like a show (or demonstration) set up specifically for me.

As I crossed the Lehigh River and then the Delaware, the most amazing and huge rainbow opened in front of me and stayed there for almost two hours, all the way into New York.

I-84 in New Jersey was a scene of post-apocalyptic destruction. An interstate strewn with huge trees and underpasses so badly flooded I was grateful for the gas-guzzling (but 4WD capable) vehicle I drive. I found out later that tornadoes had passed through.

Nearly out of gas from the traffic, I had to take a short detour into Newark, where I heard the quote of the day,

Man #1: “Muy Humido!”

Man #2: “Yeah, soon its gonna start to stink like Hell.”

Now I'm back in Williamsburg and the air is sultry with clothes clinging to bodies, suggestion in the air like the honeysuckle and wild rose smell back in Central Virginia. So it's not all bad.

That's why summer is my favorite time of year. I love the sweaty bodies and not needing (or wanting) to wear much. I like the long days, the dramatic weather, and the languorous erosion of the membrane that separates us from the Natural World and from one another. Not a complete dissolution-just a little bit closer and more connected.

A Shout Out to you, the Readers

Because there are so few comments on the blog, I had assumed that no one is reading it. Turns out, au contraire!!! I've been getting lots of feedback lately through other channels: Facebook, emails, even phone calls thanking me or commenting on something I've written. It means a lot to me to know that there are others relating to what I'm writing. THANK YOU!!!

Wednesday, June 24, 2009

Everything is all saturated


With the clock ticking I have a "bucket" of things to do and see before leaving.
On this day, it was Leandro Erlich's cool Swimming Pool at PS1, followed by a Solstice Celebration at Socrates.
Bucket metaphor courtesy of J-Dalt.


These last days before setting sail feel super-saturated. Each experience—a ride over the Williamsburg Bridge, a swim in the Met Pool, a drink with a friend, a trip to the health food store—feels like it could be the last of its kind. In some cases, it’s the literal truth. It is a blessing because it forces me to really pay attention, to take every interaction seriously. There’s no time for messing around.

The impending move is like a Sword of Damocles and it’s quite good really, forcing me to do—and say—the things I should have a long time ago. I too often chose to bide my time, luxuriating in the knowledge that whatever it was could always wait. Perhaps a riper moment would come along later. While each thing has its season, that can be a dangerous posture, an excuse that can be extended over and over until offerings are taken off the table, or we’re no longer in a position to accept them.

So it’s better to do things right away and not wait unless there is a very good reason.

Besides, an urgent life is richer, as I am now seeing so clearly. Small things take on a special value—an importance that is always there but too easily overlooked or taken for granted. Even my dreams have been really beautiful, rich and memorable. They make sleep an even greater pleasure than normal. Yet, when morning comes, I don’t want to miss a thing so I wake up super-alert and ready for another day and the sword that much closer. That’s how I live all the time, but the sword certainly clarifies things.

Maybe it’s not for everyone and I couldn’t always live like this but for now I like it. I am very excited about where I am going, but it also makes me happy that the place I am in makes me want to stay for one last song, one last dance, one last sunset…

Thursday, June 11, 2009

Bittersweet


When the sun's out, the City's grit can be beautiful. Other times it's plain ugly.


Leaving New York is going to be extremely bitter-sweet. I have no doubt that the decision was correct and I’m very excited about my new horizons (for example: being able to actually SEE the horizon!) and I know the next chapter will be great. I have been blessed with many notes from friends supporting me through the curiously difficult process of stepping away. I am very grateful.

Still, I cannot help but be wistful about the chapter that is now closing. The life we have here is simply wonderful, as if we have been somehow favored by angels or some divine force. It is somewhat counterintuitive to contemplate changing something that is working so well. We have many wonderful memories and the exact moment we’re in right now is very beautiful as well. But I know that the future-present will be very cool as well, if perhaps different.

This is not the first time we have pulled up stakes or thrown the cards in the air and they have always landed well and I’m sure they will this time too. There is something extra about leaving New York however. New York is all about potential and promise and it is easy to think that by leaving, we are throwing away some irreplaceable opportunities.

Yet that is precisely one of the things that bothers me most about New York. There is this collective mentality about this being the place to be and the idea that anyplace else is by default inferior and that the bold and ambitious can only get what they need here. The idea of Opportunity (as opposed to actual opportunities) is dangled in front of dreamers, idealists, and those who want to better their conditions like carrots before rabbits on treadmills.

I have been fortunate (and this time the angels have human faces) to have been engaged in some very meaningful pursuits and I have so far avoided going completely nuts with frustration. I got a lot more done and had more success before I came here and always I always profit enormously when I step away. I’ve never met so many unhappy people as I see when I look around the neighborhood streets and one ultimately has to ask, “Why slide backward and rarely get in the studio?”

I obviously cannot guarantee that I will be happier elsewhere but I am looking forward to not having the City at the table with me at all times, demanding constant attention and with an unquenchable voracity.

Don’t get me wrong: I love the City and I could write more than a thousand pages about its wonders and the amazing people that make it so special. I probably will do exactly that. What is more, I am not completely stepping away. In fact I will be in New York about the same amount of time in the as I will in Virginia during this next cycle. That says volumes about how much I love the place.

I foresaw this stepping-away quite some time ago and this split has always been there, which is why I started this blog. I now imagine many long bus rides where I will be blogging about how much I love the City versus how happy I am when I am away from it. It’s completely ambiguous and there will never be an answer. In absence of definitive clarity, I shall endeavor to sketch out what is in my heart from moment to moment and always keep searching.

That is what artists do.

Wednesday, June 3, 2009

Atypical day of tourism

I had a cool day at work today: touring the marathon course on a bike. It didn't start so well though: only decaf in the house. Yikes!

Once I rectified the caffeine problem and waited for the rush hour blitz to relent, I took my bike to the L train, swiped my card and turned to the toll booth to ask the attendant to open the service gate.

Nobody home!

I was in a high-strung state of crankiness and all ready to start cursing the MTA, Bedford Avenue, and NYC in general when a woman on the other side of the gate opened it for me with an encouraging smile.

"Fellow biker," she said. She was holding a bike seat in her other hand.

I walked to the very end of the platform so as to minimize my impact on the fellow passengers but when the train arrived, all cars were pretty crowded. Now I felt a little ashamed because although I did far more than I'm required by riding off-peak and in the last car, I knew my bike would still annoy. When the door opened, there was plenty of room. And a lady with a loose dog. Not only was I well on the right side of right, but here was moral cover in the form of a passenger sure to be more annoying than me!

Actually, nobody was annoyed. We all got along and got on with our days.

I spent the day walking/biking six miles of the marathon course through Bay Ridge, Sunset Park and Park Slope. I talked to City officials, coffee shop customers, arts organizations, merchants, old ladies on the street, and moms on the playground. I really got a feel for the Fourth Avenue portion of the marathon and some interesting neighborhoods. It was a really fun day.

Except that I lost my camera along the way. Dang!

Friday, May 8, 2009

The City that Never Sleeps


Now there's an easier way to view some highlights from my City that Never Sleeps series. here. Enjoy!

Friday, November 14, 2008

After the Madness


Front-row seat on history. You don't often see wide shots from the photo truck but here's what I see during the marathon.
Marilson Gomes dos Santos (yellow) dueled Abderrahim Goumri over the last ten miles and bested him with a blistering kick on Central Park South. Hard to imagine a better way to spend a sunday morning.

You might have wondered where I’ve been these last few weeks. I’ve been swamped in the annual madness that is my day job, the ING New York City Marathon. Such an amazing experience, I can hardly really call it a "job." Every year, when I tell people I’m working on the marathon, they always ask two questions,

1st question: "Do you run?"

Answer: "Well, I run around like crazy but I don’t run in the sense of participating. I’m kinda busy working the event."

I start out on the Verrazano-Narrows Bridge well before dawn, track the race from the photo truck in front of the leaders. Arriving just before the winner crosses the line, I watch the victory lap and then manage the pandamonium that ensues with the awards ceremony. I’ve been at it for eight hours by now and only a handful of the forty thousand have crossed the finish line. I grab a quick breather and then go back as the tired, spent, and hungry masses complete their marathon journey, some triumphant, some seemingly near death, and many just plain peculiar such as the infamous "Larry the Lighthouse."

It’s outrageous: forty thousand people fully blissed out, having achieved something truly monumental, many having overcome enormous doubt. It’s like witnessing forty thousand wedding days and it’s easy to understand why over a million people line the streets every year to cheer them along. That brings me to the inevitable second question people ask when they hear what I do.

"You get paid for that?" Not to say that I don’t earn my paycheck, but I do actually have to pinch myself to remember that I’m doing my job out there. It’s a major rush and a tremendous privilege to be out there. It’s exhausting but it’s amazing, not least because it's the culmination of months of work and at the end of a long sleep-deprived stretch.

And now it’s over for the year and it’s time to go back to being an everyday, working artist kind of guy. It's kind of a letdown actually like the day after Chrismas or some great life change, only accompanied by a physical exhaustion that is akin to having actually run the marathon. Time for some R&R...

Sunday, October 12, 2008

Stealing Summer from the Jaws of Autumn


We ran into some REALLY old friends at
Jacob Riis this weekend.

This was one of those weekends where you just have to get out--preferably near a body of water. Nevermind that we're deep into October.

So I gathered Sebastian, some sand toys, and a couple of artist friends and headed for the beach. We dug in the sand, we played chase, and--best of all--we swam. It was divine. The waves were gentle, the sand smooth, and the water was SOOOOO clear. Yes it was chilly--bracing. The day was so gorgeous and we had the wonderful beach all to ourselves with its once-glorious but now-semi-decrepit buildings aging very gracefully. The sun was bright but soft and the air so clear. It was a wonderful day.

We hopped back in the car when it started to get chilly and were home in half an hour. Unfathomable that we never left New York City.

Wednesday, September 24, 2008

A perfect weekend


I purposely left the SLR at home for the weekend so I could experience the time directly.
Still, I try to carry the elph in my pocket all the time and I'm glad I did...

I’m always a pretty happy person, but sometimes my life is just so sweet as to be almost embarrassing. Yet it’s made of small pleasures. Take this example of a how I spent a recent weekend.

Last Saturday (ten days ago) I had to drive up to the Catskills to pick retreive my and Drake’s work from our show up there. On the way there, I stopped in Sleepy Hollow for some serious running at the arcadian Rockefeller Estates—twelve miles through mist-shrouded fields and forests, followed by as huge brunch at the Horseman Diner. How could I go anywhere else?

The next two hours in the car were beautiful and got better and better as I wound through the heart of the Catskills. J-Dalt pointed reminded me the other day that for a parent, few pleasures rival a solo drive through beautiful countryside. Spoken like a true Californian but as true in the Hudson Valley as in Napa. The art was skillfully packed so it took about two seconds to load it in the car and be on my way, but not before receiving some sage advice about local hiking prospects.

On the way up, I had noticed a very promising lake with a swim platform in the middle. I found the park locked on the way home, but with a car parked by the gate—an irresistible invitation. I slipped over the cable, out of my jeans (I still had my running shorts underneath) and into the cool water. My fellow pond dippers turned out to be a group of citymice holed up in a nearby house for the weekend. I splashed around, floated on my back and looked at the sky and did a few flips and back into my clothes and on my way.

I soon spotted the turn for the hike I had heard about and wound my way into the mountains to the trailhead. As advertised, the path went up-up-up, often along stairs, through the mystical and lovely wilderness of Rip vanWinkle., with its strange rock formations, mosses, gnarled roots, ferns, and old trees. The path emerged onto a ledge straight out of Thomas Cole, with the Catskills spread out before me, peaks islands in the fog, like a Chinese scroll. An encounter with the Sublime.

On the way home, I stopped for some prime BBQ at a place my friend Pamela recommended. The trip was glorious and the fact that the final ten minutes took and hour and a half did nothing to diminish my joy. Even Countrymouse has become philosphical about the City’s annoyances—at least for a while.

As if to confirm my joy, as I unloaded the car, C-Lin chanced past the studio and I joined her at an opening at Sideshow on the way home from the studio. Gerbo was there, in full conviviality and he bought me a beer to wash the road dust from my palate.

That was Saturday.

Sunday was just as good. I had Sebastian all to myself as Cole took care of some of her business (which she graciously delayed to enable my trip). We had pancakes and wipped together a big dinner for later. We had to hurry a little bit because we had a date with the beach, along with some of the VCCA artists, who connected together quickly via txt-message. The day was gorgeous: hot, humid, with warm water, gentle waves, and perfectly clear sand. We made the best castle I’ve ever done (as one would expect from a gathering of sculptors). Then, at four o’clock, the season ended right before our eyes, as if a bell rang. suddenly a chilly breeze blew in from the sea and a day that had been muggy turned brisk. We wrapped in towels and returned to the warm car. There was freakishly little traffic on the way home and as well all hugged goodbye, we knew that we were also saying farewell to summer.

That night, we hosted a dinner party for Splinter, Amelia, Mayumi, John Mitchell and Anki. Great company, animated conversation, the curry I had made, just a glass or two of wine, and we all reconnected, back in the City from our diverse wanderings, for a season of expansion, culture, and new ideas.

I couldn’t ask for a better weekend, and one in which Countrymouse and Citymouse found the elusive perfect balance.

Wednesday, September 3, 2008

Farewells and Welcomes


Alyson, Krazy Karl, Cynthia, and Don Pedro are a few of the folks I'll miss most. The good news is that they're New Yorkers and I'll still see them! In fact, I already have or soon shall...


Of course it was difficult to leave VCCA. Everyone kept asking if I would be back, and my answer was always the same, "I would love to come back!"

As much as it was wonderful there, it was also easy to realize how great my regular life is as well. After a very short and sleepy drive, I was back at Springtree for a long weekend of quiet time with my family in the country. Just resting, gardening, and enjoying time with old friends, Sebastian, Meredith and her folks. Plus a swim and a visit with my own parents.

While I saw a bear on my first full day in Virginia, on the last evening Sebastian spotted a bald eagle that swooped over our riverside picnic. We all got a nice long look and his apparition was a nice bookend for the experience and a signal of farewell.

When we got back to Brooklyn, after our favorite brunch place opened specifically for us (and before and dear friend and uber-neighbor Amelia served us a delicious "welcome home" dinner, Sebastian and I stopped by a Labor Day party at my studio building. It was a lovely party with kids and interesting people and good food. The perfect way to close a terrific summer that was full of symmetry and meaning.

I was not really surprised at all then when Cynthia from VCCA (pictured above in the blue shirt)walked into the yard and said hello. Her BF is close friends with Gerbo (the host) and they coincidentally decided to stop by. What a treat! I love those moments that seem intended to demonstrate that there is an order to things, that all things are connected by a million invisible fibers that could never be traced yet feel so obvious.

I'll see Krazy Karl, Don "Juan", Alyson, and a few others later this week.

Sad to have left, glad to be back.

Friday, July 11, 2008

Midsummer Night McCarren


One arts advocate argued in a Greenline article that the concerts and movies are not a "Hipster thing." The preponderance of brakeless bikes would indicate otherwise, as would the total absence of Latinos or anyone over the age of 45. Not the case at the City's other outdoor movie sites.

The other night I headed over to McCarren Park to photograph trees for my next set of Nocturnal drawings. The combination of street and stadium lights results in visual effects that are strange and stunning. More on that in a future entry. For now, I would like to describe something else I found there.

People! The park was crowded like a weekend afternoon. The newly installed lights on the track have already had a dramatic impact on park usage in their first year. Late into the night, the track and infield were actually crowded—something that could never be said of summer evenings of yore.

If there were hundreds of people on and around the track, there were thousands next door at the Tuesday evening film at the McCarren Park Pool. It was an amazing scene, already eclipsing more established venues, like Bryant Park or Brooklyn Bridge, on its opening night. That huge pool was packed with people so that the enormous screen looked downright tiny.



That space is so enormous though, there was plenty of room for other stuff: several tents selling beer, tacos, ice cream, coffee, and other treats. Plenty of tables and lots of space and cool little corners for hanging out. I arrived late and didn’t care about the movie, but I had plenty of company in that regard. I just chilled out with a beer, chatted with strangers, and took in one of the nicest and coolest scenes I’ve experienced in quite a while. It’s free, casual, a great place to gather with friends.

Now I understand the loyalty that surrounds the weekend concert series. The Pool is one of the finest outdoor venues I’ve ever seen. Unfortunately, I’m starting to get the sense that this loyal constituency may become an obstacle to the facility’s impending restoration back into a pool. I’ve seen a number of quotes of late, attributed to various "arts advocates" decrying the renovation as some kind of blow to the local arts scene. That may be true in the strictest sense but the temporary stage and movie screen could be erected in any open space, while this is the North Brooklyn’s only shot for an outdoor pool. Who’s to say that the new Bushwick Inlet Park with its unmatched view of the Manhattan skyline would not be equally sublime?

It should be noted that the majority of the concert and movie goers come from outside the neighborhood and of the dozens of people I spoke to on Tuesday night, only a few lived in Williamsburg and none had been here for more than a year or two. Should our children be forego this needed resource in order to serve a hungry Manhattanites’ insatiable need for open space? They’ll be welcome to use the pool, and hopefully see their concerts and movies in some other location as well.

Put this long-time arts advocate and community organizer squarely in favor of the pool. It’s the best, most needed, and most appropriate use for the space. That should be obvious but in this community which is so much better at protesting than building, one can never be sure. I love the movies and plan to go back. But the pool will be an equally amazing place, and I would hate to see the arts consituency join in the petty intra-community squabbles that have doomed the renovation numerous times in the past. Let’s enjoy the movies and concerts for one last summer and then move forward.

Thursday, July 10, 2008

Citymouse Take on the Rabbit Hole


Antique fixtures and rustic furniture give the place an Old World feeling. Or old New World.

A few months ago, we reported that the Read was relocating to the Southside--right across the street from our apartment! It's open, reincarnated as the Rabbit Hole, and Citymouse crawls over there on a regular basis for some serious blogging.

As anticipated, the food's exactly the same as before--which is very good. The ambiance is even nicer. The back yard just as cool. The interior feels more alot more French Rustic than the old place and we like it better. When asked what happened to the trademark free books and magazines, owner Lawrence Elliot explained that people actually used to [intentionally] put sticky things (some of biological origin) between the pages and he was fed up. So he rightly got rid of them.

Citymouse has only one complaint: we shall have to wait for our favorite Read combination (fresh Chocolate raspberry rolled scone paired with a cold brew) until they get their liquor licence. Then perhaps it will be the perfect cafe.

The advent of the Rabbit Hole makes a difficult dilemma all the more vexing: should we go to Simple or the Tea Room or the Lucky Cat or Blackbird or now this?

Such is the difficult life of the Williamsburg Citymouse...



No other reviews available yet; previews: Gothamist Gowanus Lounge

Thursday, June 5, 2008

Looking Good at 50


What an honor to get training tips from the legendary Bill Rodgers!
And he's so cool and humble!

Yesterday was the 50th Anniversary of a historic date: the founding of New York Road Runners, my employer for the last nine years. The good they have done and the countless lives they have changed are well-documented. For me personally they’ve been dream employers and have done more for me than I could ever recount.

Interesting, meaningful (and at times, exciting) work on a flexible, part-time basis; real interest in my family and my many diverse areas of passion; a real family environment; active encouragement to live a happy, balanced life. People ask me if I actually get paid for what I do and I have to pinch myself to remember it’s true. Like any family, we sometimes have to be patient with each other at NYRR—and Lord knows I’m not always a model employee. The atmosphere at Road Runners can sometimes feel manic and it’s irrepressibly maniacal in pursuit of its mission. But that’s why I love it there and I could imagine being anywhere else. That’s not some naive cliche—I’ve been other places and I know of what I speak.

When I moved to New York, I prepared myself to suspend my running campaign—concrete jungle, asthma-inducing air quality and all the other obstacles just seemed too much. I literally stumbled into NYRR (thanks to S-Doug) and they flat-out wouldn’t let me quit my running. They’ve helped me create this wonderfully balanced life that combines art, work, family, and healthy living (listed in arbitrary order). It’s a life full of wonderful and unusual yet consummately New York things. For example, my Wednesday began with a swim at the Met Pool, included stops at Tavern on the Green, some fast-paced work at my office across the street from the Guggenheim, canapés at NASDAQ, a track meet in the shadow of a prison, and it finished with a run in Central Park. Not a typical day but par for the course at NYRR.

I wouldn’t have it any other way.

Happy Birthday NYRR and THANK YOU!!!