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Monticello Road is a community arts project in Charlottesville, Virginia. Through photography and a series of public events and conversations, we explore how an art can be an essential, integral and everyday part of a healthy community.


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Showing posts with label GIS. Show all posts
Showing posts with label GIS. Show all posts

Wednesday, January 13, 2016

Where are the Pictures?



As part of my coursework in Urban and Environmental Planning at the University of Virginia, I am performing a series of GIS (Geographic Information System) analyses of the Monticello Road project. GIS provides empirical data to check (or underscore) what intuition tells us. This is the second of a three-part meta analysis. Previous: Vanishing Landscapes | To Come: Backer Distribution


I often receive process questions about the project, especially as pertains to what parts of the neighborhood I photograph and I how I define the boundaries of the Monticello Road study area.

I typically answer that I consciously limit the project to the street and directly-adjacent properties and I believe that the images will be distributed throughout the length of the street—though not evenly, perhaps clustered around my home or a few places where I spend sedentary time. These responses are logical but not empirical. GIS analysis lets us answer the question with data.

Through the life of the project, I have captured thousands of images, which would have been overwhelming. One of the features of photography is that it not particularly relevant if an image is made; what matters is which images are seen.

I have a subset of selects (numbering in the low hundreds) that are used in the book and the frequent slideshows I present. That provides a further curation because it reflects both a photographer’s view of what is visually interesting and an editor’s view of what says something about the place. I refined my selection one more time by eliminating multiple images all taken at the same time (different people at the same party, for example). Through this process, I reduced the sample to 94 images, a highly manageable number, but enough for a meaningful analysis of a linear mile-long space.

Monday, December 21, 2015

About that View...


Two photos from the same spot, taken three years apart. Left: "The Park, 2012." Right "Belmont Steps subdivision, 2015."

As part of my coursework in Urban and Environmental Planning at the University of Virginia, I am performing a series of GIS (Geographic Information System) analyses of the Monticello Road project. GIS provides empirical data to check (or underscore) what intuition tells us. This is the first of a three-part meta analysis. Next: Picture Distribution | To Come: Backer Distribution

Although it is not the main purpose, the Monticello Road project provides undeniable (and sometimes wrenching) evidence of the ways the neighborhood changes over time. The above pairing is especially jarring. We know that frequent low-dose exposure to Nature is beneficial to health and well-being. I suspect that the same can be said of Heritage as well so its loss is something we notice.

When one of my colleagues saw the above photo, he was surprised to hear that the Neighborhood Association did not oppose the subdivision. In fact, there was nothing for them to say about it because it was done by-right, meaning the land-owner did not need anyone's permission as long as they stayed within the zoning regulations, which they did. Additionally, we say all the time that we like in-fill development (instead of sprawl) and this is what it looks like.

So although this kind of change is inevitable and possibly beneficial, we should not pretend that there is no cost. We know there is, but it is not quantifiable, which is a real liability when we consider the pocket full of financial statistics a developer will present.

GIS allows quantitative viewshed analysis and I thought it would be interesting to look at the cumulative effect of building upon the the landscape and heritage vistas in the neighborhood.

For reference, I chose the peak of Mont Alto, so beautifully framed in the photo above left.